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...fact that people who have a vivid memory of the horrors of World War II are able to laugh heartily and without uneasiness at this character is a curious phenomenon. If he were obviously a caracature, an unbelievable reductio ad absurdum of certain germanic traits, it would be easier to understand. But Werfel's Colonel, while perhaps exaggerated, is nevertheless real; and the qualities we all find so amusing were terrorizing the world for six years...

Author: By Paul A. Buttenwieser, | Title: Me and the Colonel | 10/1/1958 | See Source »

...best yet released in America of fabled Sviatoslav Richter (TIME, June 16), probably the most versatile, widest-ranged pianist alive. Equaling Horowitz's technique, Rubinstein's poetry, Serkin's sensitivity, he makes even Saint Saens' Piano Concerto No. 5, on the other side, seem vivid and important...

Author: /time Magazine | Title: Music: New Records, Sep. 8, 1958 | 9/8/1958 | See Source »

...records two vivid and poignant modern samples of ravaged Roman: General Stilwell's World War II motto, "Illegitimati non carborundum [Don't let the bastards grind you down],' and Adlai Stevenson's classic cry of anguish, "Via oviciptum dura est [The way of the egghead is hard...

Author: /time Magazine | Title: Education: Hic, Haec, Hoax | 8/18/1958 | See Source »

...canvas the very essence of human experiencing. That is what we mean when we say [as Pollock used to] 'to get into the painting.' There is nothing detached or eccentric about our work. It is a total commitment, and once expressed on canvas, it represents the most vivid and dramatic expression of the human image possible-ourselves...

Author: /time Magazine | Title: Art: Human Image in Abstraction | 8/11/1958 | See Source »

Once the three directors were convinced of the validity of their theme, they made a careful selection of artists, visited studios, often insisted on a particular painting. They decided on two free-form spontaneous doodles by the late Jackson Pollock, violent outbursts of vivid colors by Willem de Kooning, a melancholic mood piece by Grace Hartigan, harshly contrasting patterns by Richard Pousette-Dart. They added four morbidly humorous, squashed-face portraits by France...

Author: /time Magazine | Title: Art: Human Image in Abstraction | 8/11/1958 | See Source »

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