Word: vividly
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...were made in Africa and Mexico) are as believable as a neighbor's backyard. Director Zoltan Korda (Sahara) has already made two films in Africa, which is a help in this particular picture; still more important, he knows people, and style, and atmosphere, and how to make them vivid on a screen. There is hardly a point that Hemingway made in this savage, complex communique about the war between the sexes that Korda and his actors fail to make in movie terms. In fact, a good 95% of Macomber is a remarkably exciting picture for mature audiences. The worst...
...imperially, ready to assume the Crown if her father died. As a private person she would not come of age for three years. The question of her official debut could be put off no longer, and in 1943 the wartime Princess was officially introduced to her people in the vivid, yellow glare of the blast furnaces in a Welsh tin-plate mill. Miners, factory girls, housewives and dock hands turned out by the thousands to cheer her on a two-day tour. Denied the privilege of hailing her as Princess of Wales (she is still only Heiress Presumptive...
Unexpectedly the most workmanlike part of the magazine, the poonis are rich in restrained, suggestive imagery. Richard Wilbur's "Objects" is a related act of impressions, studded with vivid, sensuous imagery. In "Objects" and in his other two poems, Wilbur handles both rhyme and rhythm with subtlety and originality. "A Sermon," by John Ashbery, comments inclusively on a Bibical passage in terms of the frustration and spiritual blindness of modern society...
...Brujo (the Hollywood Bowl Symphony Orchestra, Leopold Stokowski conducting, with Nan Merriman, mezzo-soprano; Victor, 6 sides; the Pittsburgh Symphony Orchestra, Fritz Reiner conducting, with Carol Brice, contralto; Columbia, 6 sides). Reiner's version of this Debussy-scented Andalusian suite, which includes the popular Fire Dance, is less vivid than Stokowski...
...soon, for better or worse, to come to Hollywood. Signora Magnani's style of beauty is not quite standard Hollywood; when she appeared in Open City, the reviewer for Variety described her as plain. Her acting style, too, is Mediterranean in its richness. But in her own vivid way-and in her knowledge of how to project her personality on the screen (this is only her second movie)-she is one of the most impressive women since Garbo. Lacking Garbo's peculiar, dreamlike power to enchant, she has in great abundance an asset Garbo never had: earthy sexuality...