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Word: vividness (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...equally sharp, all equally life-like. And when he tells of murderers who "plunge the knife into the black veins of the neck and more clotted blood pours out the more they press the blade that slips between the tendons," it is only for the sake of allegory--vivid, but purely iconic all the same...

Author: By James Gleick, | Title: An Empire of the Mind | 7/25/1975 | See Source »

...much as damp." But "Another Lady," unfortunately, cannot sustain the kind of dialogue in which the characters betray their own follies. Midway through the book, extensive descriptions of Charlotte's growing feelings for her Prince Charming, and a plot that is a little too complicated, rather than Austen's vivid and endlessly amusing characters, have become the focus of attention...

Author: By Jenny Netzer, | Title: Another Austen | 7/3/1975 | See Source »

...study claims that the average American youth can be expected to watch 11,000 TV murders by the time he is 14. In Boston, a woman was doused with gasoline and set afire shortly after a TV movie featured a similar scene. In Chicago, several murders have followed in vivid detail some inventive killings in the TV detective series Shaft...

Author: /time Magazine | Title: The Nation: THE CRIME WAVE | 6/30/1975 | See Source »

MacEwen believes that prisons should be close to home. That would give the prisoner a chance "to formulate in his own mind vivid pictures and concepts of how he will fit in when he gets out." Moreover, as long as penal institutions are in remote rural areas, they are apt to be ignored. "Out of sight, out of mind. The community should have to deal with the problem that brought about the arrest, sentence and conviction in the first place. I believe the more involved the community becomes, the less crime we will have. Volunteers who visit or teach...

Author: /time Magazine | Title: The Nation: VIEWS FROM BEHIND BARS | 6/30/1975 | See Source »

...quite wrong to think of The Taking of Miss Janie as a dirge. Black Playwright Ed Bullins often uses a party as the central structure of his plays, and he does it again here. Even when it is slightly sick, a Bullins party jives. The people talk a vivid street idiom with the fluent opulence of jazz. Their moods dance. They make hot, sly, funny, drunken, sexy scenes together that have the cumulative impact of a seduction. Then they fall apart in revealing stop-motion monologues as if a petal were trying to be a flower...

Author: /time Magazine | Title: The Theater: Requiem for the '60s | 5/19/1975 | See Source »

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