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Lyonel Feininger's section includes fine, sketchy prints and cubist canvasses. Although his oils are certainly interesting, none of them is particularly vivid or eye-catching...

Author: By Michael Maccoby, | Title: On Exhibit | 1/15/1952 | See Source »

Much of the picture centers on Happy's "tourist mission" through Germany from the south up to Mannheim. These sequences, actually filmed in Germany, provide a vivid picture of towns and people gutted by war. The attitudes with which Germany met defeat are typified by the characters Happy encounters. There is a corrupt SS sergeant having his last fling in a sordid military brothel, an attractive girl turned to prostitution, a Prussian general who uses the noose to maintain discipline to the last. These characters, against a background of bombed out and burning buildings, give a most effective impression...

Author: By William A. M. burden, | Title: The Moviegoer | 1/11/1952 | See Source »

...Chekhov's characters "the world is black and white." They themselves are all gray, but they cannot accept their own grayness. One of the most vivid figures is young Dr. Lvov, portrayed by Bryant Haliday, whose well-controlled rigidity conveys an intense honesty based on blind judgement...

Author: By Malcolm D. Rivein, | Title: The Playgoer | 1/8/1952 | See Source »

...contrasts: between realistic and romantic love, cynicism and idealism, the claims of life, impermanent and impure, and those of changeless Death, to whom Anouilh grants a rather mawkish victory. The play has its merits. Amid so many varieties of love, it at least excludes Hollywood's. There are vivid counterpointings, piquant juxtapositions. Eldon Elder's set is splendidly striking; and though Dorothy McGuire seems partly mystified and partly miscast as the girl, Richard Burton, as her lover, plays a difficult role persuasively. But the play grows tedious with saucy twists and lethargic with the fumes of Nachtkultur. When...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 7, 1952 | 1/7/1952 | See Source »

What was good about The Lady on the Rock was Author Arnold Schulman's vivid re-creation of an off-Broadway gin mill, a place alive with the yelps of syncopation, and feverish with the cynical wisecracks of men afraid they may have missed the last boat to Success. The story was the familiar one of the simpleton who, mistaking tolerance for affection and pity for love, belatedly learns the world's true opinion of him. It ended with the moron sprawled beaten and blubbering on a city street, abandoned by the girl who had been momentarily kind...

Author: /time Magazine | Title: Radio: Experiment in Realism | 12/31/1951 | See Source »

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