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...Winslow Homer's famed Civil War coverage for Harper's Weekly, nor the hell-for-leather zip of Hearst's Frederic Remington, but Glackens' Night after San Juan, which he drew while covering the Spanish-American War for the Press, was a topflight demonstration of vivid, accurate reporting. In the latter-day paintings, especially Shinn's The Hippodrome, Luks's The Spielers and Sloan's Wake of the Ferry, gallery-goers could see how a whiff of spot-news training had led to fine art happily free of the musty brown academicism...

Author: /time Magazine | Title: The Press: Reporters of the Brush | 10/29/1945 | See Source »

...paintings like Time Has Stratified Eternity are derived from ancient Mayan and Tarascan art forms. To 20th-Century eyes they look more like something seen through a microscope. Though they seem easy, Mérida gets his striking half-old, half-new effects after painstaking study; the raw, vivid colors are invariably surprising, and the figures, however grotesque, seem very much alive. Some of the paintings were the result of a visit to Texas. "The land there is as flat as a sea," says Mérida. "The sky eats men and houses alike. It is the most beautiful thing...

Author: /time Magazine | Title: Art: Boston Surprise | 10/15/1945 | See Source »

...more complicated than a buzz saw. Main Street's narrative neatness made it as readable as a Saturday Evening Post story. And Author Lewis had a phonographic knack for recording the hodgepodge patter of U.S. provincial speech that at best was inspired, at worst vivid vaudeville. As a storm of controversy whipped up the sales, Main Street ran through eleven printings in less than four months...

Author: /time Magazine | Title: Books: Laureate of the Boobolsie | 10/8/1945 | See Source »

...bomb-battered city was not the old Vienna. Wrote Gedye: "It was like walking onto a stage where the scenery of some gay Viennese operetta had been dismantled, the vivid costumes of the artists replaced by the dull garb of the scene-shifters. The curtain has fallen on Vienna's operetta existence, and it will be long before it rises again...

Author: /time Magazine | Title: The Press: Reunion in Vienna | 9/10/1945 | See Source »

...thriller, produced by Alfred Hitchcock's onetime secretary, Joan Harrison, whose murder thriller Phantom Lady (TIME, Feb. 24, 1944) established her as one of Hollywood's talented producers. Her second offering, a Broadway play adaptation, is again directed by able Robert Siodmak, and again features a vivid performance by Ella Raines. Uncle Harry is better done than its predecessor, more human, subtler, more exciting...

Author: /time Magazine | Title: The New Pictures, Aug. 27, 1945 | 8/27/1945 | See Source »

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