Word: vixen
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Dates: during 1990-1999
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...They swooped down to snatch up the vixen. And earlier this week, she was sentenced to 30 days in jail, 18 months of probation, 50 hours of community service and a $229 fine. The puritanical jury obviously didn't hold to the selective enforcement mentality that freed O.J. Nope, there weren't any extenuating circumstances to protect Ms. Angeli from They...
...this earlier displaced people and to the narrator, Moraes Zogoiby, nicknamed 'The Moor'. The family spice business, nearly destroyed by the bitter squabbles of one generation, is rescued by the next and eventually transformed into a fantastic and far-reaching crime syndicate. Moraes is betrayed by a beautiful vixen, imprisoned, and then released on the condition that he go to work as a goon for his father's rival crime boss. Aurora Zogoiby, mother to Moraes, becomes a celebrated painter, her paintings stolen, burned, hidden, fought over...
...will challenge the limits of common decency in presenting their Flesh and Blood series--six films which over the last thirty years have achieved renown, justified or not, for their explorations of sex and violence. Not surprisingly, the series relies heavily on films from the '60s--"Blow-Up" (1966), "Vixen!" (1968), "Midnight Cowboy" (1969) and "I Am Curious (Yellow)" (1969)--but also includes 1973's "Last Tango in Paris" and 1994's "Natural! Born Killers...
Although some controversial films, then, often have artistic merit and justifiable emotional intensity to shield them, "Vixen!" is a Russ Meyer special, a masterpiece of the sex-ploitation genre. As with Meyer's other films, like "Faster, Pussycat! Kill! Kill!," the main feature is one or more heroines with impossibly ample bosoms and improbable sexual appetites. Yet, like other shocking films before it, audiences voted with their wallets. The film, shot with a $76,000 budget, made a profit of $6,000,000 and brought Meyer to the attention of Twentieth-Century Fox. The film's success gave rise...
Remaking the show for a mainstream American viewership will be a challenge. Absolutely Fabulous is so appealing because it is as trenchantly sophisticated as it is hilariously base; American sitcoms are rarely allowed to be either. Edina and her pal Patsy, played by former James Bond vixen Joanna Lumley, make endless media references to people like New Yorker editor Tina Brown, legendary Vogue fashion director Grace Coddington and satirist Will Self, whom Edina hires in one of the final shows to write an acceptance speech for a public-relations award she has little chance of receiving...