Word: vlaminck
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Dates: during 1970-1979
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...very durable and misleading label. Fauvism was worked out by a small group of artists over a span of three years; it was dead by 1907. It could coarsely be defined as what Matisse and France's Midi region did to half a dozen painters: to Maurice de Vlaminck and André Derain, to Raoul Dufy and Georges Braque, to Kees van Dongen and Henri Manguin...
...this show, pleasure is celebrated: the tricolores and red, white and blue parasols in Raoul Dufy's street scenes, the rosy theatrical vigor of Van Dongen's scene of a couple out side a brothel. The Hussar (Liverpool Night House), 1906, the slapdash but infectious ebullience of Vlaminck's still lifes. The best sight of all, though, is Matisse inventing the Mediterranean; it is amazing to find how deeply one's images of that coast have been marked by Matisse's agaves and olives, his lion-colored headlands and glimpses of pink water...
After 1908 Derain pruned his color to achieve more weighty and old-masterly effects, and was never to regain the same energy. Vlaminck plummeted into coarse self-parody, Dufy tended more and more to crank out pretty little furniture-pictures, and Van Dongen simply fell apart, becoming-in his meaningless virtuosity and appeal to cafe society-an Andy Warhol with red corpuscles. The brief moment of Fauvism was over; naturally, since it was synonymous with youth itself...
...magazines, including the Saturday Evening Post-no mean sum, in 1907 -and impoverished himself by making serious art at a time when Americans drew little distinction between "fine" and "commercial" work. Dove went to Europe and stayed for two years looking at the work of les Fauves: Matisse, Derain, Vlaminck. He came back in 1909, and never left America again. He could not afford a second trip...