Word: vocalism
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Dates: during 1950-1959
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...that it was a "monotonous and cold'' work. Nevertheless, he returned to it after 25 years and extensively revised it. Not often performed, the revised Boccanegra is a fascinating melange of early Verdian flamboyance and late Verdian depth. In this LP version a superb cast kindles enough vocal splendors, especially in the ensemble passages, to suggest Boccanegra as a candidate for frequent restaging...
...Orleans lady of reduced circumstances who supports herself and her granddaughter, illegitimately descended from Lord Byron, by displaying a love letter she received from Byron in the "gold and azure days'" of their love affair. Italian Composer Banfield's score offers some green and willowy moments of vocal beauty, but its lush-styled orchestration is finally too heavy for a Williams fancy as languid as summer, as wispy as smoke...
...Play of Daniel (New York Pro Musica; Decca). In a fascinating excursion into the Middle Ages, the nation's most avid collectors of musical antiquities present an early church musical drama in the original Latin text. The vocal parts suggest everything from Gregorian chant to folk song, the orchestra includes such authentic curiosities as a rebec, a vielle and a minstrel's harp. The result is a sound as finely jeweled, as warmly colored, and often as moving as an expanse of stained glass...
This year's concert was exemplary on all counts. The light pieces, such as the folk-song arrangements, were not trivial. The modern works showed effective vocal writing, especially Abraham Lincoln Walks at Midnight by Fenno Heath, conductor of the Yale Glee Club. The selections from Mozart's Zauberflote provided music which was almost so profound as to be out of place. And there were, of course, the football songs, about which any commentary would be superfluous, if not sacrilegious...
...these occasional explosions of the Clubs into the general life of the University that produce vocal resentment against the Clubs and the "Clubbies". The stock image of the Clubbie casts him as a preppie snob, with well-cut clothes and well-combed hair, who retreats into his club sanctum in order to be among his own kind and cut himself off from his rather unattractive, socially awkward classmates. He is seen as a collegiate version of the senile, plush-leather-armschair-sitters of London's clubs--rather disdainful of the academic life, of the University, and of participation...