Word: vocalisms
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Dates: during 2000-2009
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...Istanbul? (the book fingers everyone but Islamists) have increased as his trip approaches. The country is expected to place about 22,000 policemen on the streets of Istanbul while he is there. "This is a very high-risk visit," says Cengiz Aktar, a Turkish political scientist. "There is a vocal nationalist movement here, and there is the Pope, a man who likes to play with fire...
...what really troubles the most vocal critics is their sense that the CDC's devotion to pure science--a long-established mandate to follow the trail of medical evidence wherever it leads--has been sabotaged. AIDS specialists today feel that they are being constrained not to say anything positive about condoms, while others complain that more cash bonuses are being given to administrators than to researchers. "It's the policies and the direction of the institute I'm most concerned about," says Dr. Brad Woodruff, an epidemiologist in the organization's Maternal and Child Nutrition Branch. Woodruff is particularly incensed...
...perverts. That fancy diploma won’t get them far there, but those “oral techniques” they picked up at a cappella retreats can be pretty valuable in the showers. Makes sense. Who wouldn’t expect a little extra sauciness from a vocal percussionist...
Great art has that funny tendency to reaffirm one’s confidence in the universal bonds of humanity, and to recognize those extraordinary bonds in ordinary pursuits. With this tendency in mind, members of the Harvard Early Music Society have indulged their shared love for a series of vocal works from the French baroque master Louis-Nicolas Clérambault and turned it into “Metamorphoses,” an intimate yet operatic fusion of dance, theater, and music that will premiere at the Horner Room at Agassiz Theatre...
Produced by Valentine N. Quadrat ’09, the show integrates ballet, modern dance, vocal artists, and a live orchestra into a massive artistic endeavor. Directors Raymond W. Keller III ’08 and Sarah C. Kenney ’08 of the Harvard Ballet Company have coordinated with music director Shira R. Brettman ’08 to produce one of the most ambitious dance performances at Harvard in recent memory. In most of its pieces, “American Grace” more than meets these ambitions...