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History of Art and Architecture Professor Jeffrey F. Hamburger, a vocal advocate for the primacy of the libraries during a time of financial constraints, will chair a committee to represent faculty interests in the ongoing process to reform the library system...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: Library Group Represents Faculty | 2/9/2010 | See Source »

Hamburger, a vocal regular at recent Faculty meetings, said that he hopes to guarantee Harvard’s financial commitment to the library. He said he welcomes the opportunity to represent professors though the workings of the advisory committee, which will serve as a conduit between faculty and the implementation group...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: Library Group Represents Faculty | 2/9/2010 | See Source »

Opening track “Acts of Man,” sets the tone lyrically and harmonically for the rest of the album. The song is rather static: Smith sings within a restricted vocal range, and the lyrics consist of a repeated chant: “If all that grows starts to fade, starts to falter / Oh, let me inside, let me inside, not to wait / Great are the sounds of all that live / And all that man can hold.” While the lyrics refer to both the barrenness of winter and earth’s hidden bounty...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: Midlake | 2/9/2010 | See Source »

Manipulation of multiple vocal tracks gives “Transference” a schizophrenic quality. Daniel’s voice suddenly cuts out at the climax of “Is Love Forever?,” returning a second later to ask the titular question in a flood of echoes. “Trouble Comes Running” interweaves two tracks that overlap haphazardly at times. Background hums that materialize and suddenly disappear are scattered throughout the record. Though jarring at first, the unusual mixing decision becomes an essential element of “Transference,” where vocal...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

Tracks like the aptly-named “Miserabilia” off sophomore mini-album “We Are Beautiful, We Are Doomed” featured intertwining, irrepressibly cheerful guitars and keyboards, chiming bells, and unmistakably indie pop boy-girl vocal harmonies. And then there were the lyrics: “We got nostalgic, ended up filling shoeboxes with vomit / Collected scabs in lockets, hung them round our necks like nooses / None of it mattered / Nobody cared...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Los Campesinos! | 2/2/2010 | See Source »

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