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Word: vocalisms (lookup in dictionary) (lookup stats)
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...looking for this season and what we expect of each other and of ourselves and everyone else.” Williamson adds. “So that’s great to have four people who are very in sync. All four of us are very vocal on the team...

Author: By Jon Dienstag, CRIMSON STAFF WRITER | Title: SOFTBALL 2004: Captains Crunch | 3/25/2004 | See Source »

Jantzen, who finished 38-1 for the season and 131-13 in his career had a vocal contingent of fans section rooting for him, which included the first Crimson national champion John Harkness ’38, who claimed the title...

Author: By Evan R. Johnson, CRIMSON STAFF WRITER | Title: Jantzen Seizes NCAA Championships | 3/22/2004 | See Source »

However, there is also a strain of bad acting which pops up in Roberto Zucco—a strain seemingly founded on the principle that a character’s emotional life is able to be shown entirely through changes in vocal volume. I cannot tell you how many times I’ve seen a play or movie that is marred by this kind of catatonic work. I don’t think that there is any one reason why it’s such a pervasive problem. Sometimes it’s because the actor is untalented, sometimes...

Author: By Benjamin J. Soskin, ON THEATRE | Title: Review: 'Zucco' Succeeds Despite Script | 3/22/2004 | See Source »

...strips them of their intensity. Billy Preston's bouncy keyboards make 32-20 Blues sound like a Country Bear Jamboree performance of Chopin's Funeral March, while the snare hits and harmonica clichés on Traveling Riverside Blues sound like Johnson channeled through a Michelob ad. Clapton's vocals don't help matters. You can tell he's ecstatic to be covering his idol, but his exuberance increases the disconnection between the music and the material. Johnson was one dark dude; when he sang "There's a hellhound on my trail" you believed him. When Clapton sings the same...

Author: /time Magazine | Title: Even Rich Men Get The Blues | 3/21/2004 | See Source »

...Hodgson says he will also work to include expanding academic courses offerings in the dramatic arts for undergraduates. Though this semester saw a broader range of course offered, including courses on production dramaturgy and vocal production for the stage, Hodgson says there will be a push for more courses next semester. “I’m excited about this season,” Hodgson says. “We try to do our best to bring whatever people get excited about and make it happen...

Author: By Michelle Chun and Ben B. Chung, CRIMSON STAFF WRITERS | Title: Spring Season at the Loeb | 3/19/2004 | See Source »

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