Word: vocalisms
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...Kielys, vocal opponents of randomization and defenders of House character, will resign in June, leaving the first fully randomized Adams House...
...They brought a spirit, a type of energy to theHouse that will be sorely missed," said Taj J.Clayton '99. "They are the most popular Housemasters and they make a concerted effort to meetall students and to be visible and vocal onstudent issues and to be extremely accessible...
Rojas is more than up to the task vocally--his voice is full-bodied and intense, if at times in a middle vocal range that makes it hard to project--but acting-wise, Rojas has fallen into the the trap of the magnificent singer who is plauged with an inability to act convincingly. He did seem to open up through the course of the opera, but his slightly grotesque nuzzling of the deathbed-ridden Violetta seemed contrived and ingenuine...
...evening--and a powerful singer who had no trouble at all acting--was baritone Vasquez, singing the difficult role of Girogio Germont (a man of high character who realizes he is not as morally superior as he thinks). Debonaire and upright, Vasquez had just the right amount of vocal and dramatic tenderness to keep the role of the pushy father from being a flat-out S.O.B. This is to be attributed no doubt to Vasquez's robust, no-nonsense singing style, which was intense and virtuosic without coming across as being overtly flashy...
Most of the opera, however, belonged to soprano Labelle, completely entrancing in the title role of Violetta Valery. After making her debut last year in BLO's Lucia de Lammermoor Labelle was named The Boston Globe 1997 Musician of the Year, and with good reason. Her vocal and stylistic range is almost unfathomable: in the course of roughly 10 minutes at the end of the first act, she goes from airy coquettish high notes to the wistful, delicate "Goodbyes" to the passionate lament of the "misterioso" theme that haunts the entire opera. She pulls off coloratura singing--that ornamented style...