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Four years of playing hockey have given Stickles a bigger task than preventing goals. She has become an advocate for greater gender equality in Harvard athletics. And she is vocal about...

Author: By Michelle K. Hoffman, CONTRIBUTING REPORTER | Title: Outspoken Stickles Finishes Her Collegiate Puck Career | 3/12/1992 | See Source »

From the opening track, "True Fuschnick," this group makes it clear that they're out to have a good time. The three rappers--Chip FU, Poc FU and Moc FU--introduce themselves with distinctive vocal styles, and the fun begins. Each soloist raps in a call-and-response dialogue with the rest of the group, creating a frenetic atmosphere which never lets...

Author: NO WRITER ATTRIBUTED | Title: The Origins of Karate in Government | 3/12/1992 | See Source »

WITH ISSUES of minority hiring at Harvard, protesting has a solid record. When student groups, alumni and other interested parties make their demands known loud and clear, the University responds (after extreme pressure, after some time and in their own way). Unit it is compelled by such vocal protests and bad press, however, the University usually drags its heels on minority hiring...

Author: By Beth L. Pinsker, | Title: Shock Therapy | 3/11/1992 | See Source »

Among the less remembered of Haydn's vocal works are the intimate English Canzonettas, simple setting of poems by Anne Hunter that prefigure the great lieder of Schubert and his contemporaries, and the cantata "Arianna a Naxos". These are coupled on a revelatory new disc from Virgin Classics' Veritas line (number 91215), with mezzosoprano Carolyn Watkinson and Glen Wilson at the fortepiano...

Author: By John D. Shepherd, | Title: Haydn and More Haydn...Joseph, that is | 2/27/1992 | See Source »

...itinerary with bold figurations in the pianoforte accompaniment and extensive lyrical passages. The long recitatives are unusually developed musical and dramatic expressions. Wilson's playing demonstrates a sense for the maximization of the evocative possibilities in these passages without transgressing the bounds of bathos. Combining with Watkinson's unfailing vocal agility and expressive gusto, this wrings every ounce of dramatic potential out of Haydn's already amply suggestive recitatives. The overall effect is that of an opera in miniature, and the arias are reminiscent of Mozart's writing for the countess in the Marriage of Figaro...

Author: By John D. Shepherd, | Title: Haydn and More Haydn...Joseph, that is | 2/27/1992 | See Source »

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