Word: vocalists
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Dates: during 1990-1999
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...tells the story of how a girl who is almost always mute in section has become an accomplished vocalist with plans to sing professionally after graduation...
Since then, hip-hop has gone more global than McDonald's, and the fever for the flavor of "representing" has waned in hip-hop artists' vernacular. As few as maybe two years ago, the hip-hop vocalist's primary focus involved overtly "keeping it real," understood as portraying an accurate picture of the artist's origin both as an artist and (presumably) as a minority youth-at-risk. Now, no one admits this priority, but everyone expects it as they do from an anthropologist: all of hip-hop culture, condensed in the "real it," should come across...
...Pinkerton, Butterfly is only15 years of age. This is not to say that she wascompletely naive of the world. Rather, as thestory goes, Butterfly is forced into geisha-hoodbecause of the poverty inflicted upon her familyafter her father's death. So on many levels, oneimportant challenge to the vocalist is thejuxtaposition of the innocent child and therealistic woman...
...suggested that I have gigged at the Regattabar, Cantab Lounge and Ryles. I write to clarify that although I am indeed a fan of all three establishments, I have yet to perform my own gigs at any of them. While I have on occasion appeared as a guest vocalist with bands at the Regatta and the Cantab, I have never performed at Ryles. JESSICA TEMPLE TARDY
...trio of dancers, Kimberlee Garris '01, Maiga Miranda '01 and Stefanie De Santis '00, danced to Melissa Etheridge's "Occasionally," a poignant, minimalist guitar-and-vocalist piece that Garris captured cloquently with personally expressive choreography. Jenny Weiss '99 (a co-director of Mainly Jazz) turned out equally excellent and thoroughly modern choreography for her piece. "Collision Course" which her group of dancers performed to the Talking Heads "Slippery People...