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Since then, hip-hop has gone more global than McDonald's, and the fever for the flavor of "representing" has waned in hip-hop artists' vernacular. As few as maybe two years ago, the hip-hop vocalist's primary focus involved overtly "keeping it real," understood as portraying an accurate picture of the artist's origin both as an artist and (presumably) as a minority youth-at-risk. Now, no one admits this priority, but everyone expects it as they do from an anthropologist: all of hip-hop culture, condensed in the "real it," should come across...

Author: By Andres A. Ramos, | Title: ETHNOGRAPHIC WRITING: The MC's Job, Apparently | 2/26/1999 | See Source »

...suggested that I have gigged at the Regattabar, Cantab Lounge and Ryles. I write to clarify that although I am indeed a fan of all three establishments, I have yet to perform my own gigs at any of them. While I have on occasion appeared as a guest vocalist with bands at the Regatta and the Cantab, I have never performed at Ryles. JESSICA TEMPLE TARDY

Author: NO WRITER ATTRIBUTED | Title: Tardy Yet to Perform at Ryles | 12/15/1998 | See Source »

...first number, "Sweet Dreams" danced to the familiar song by The Eurythmics, the dancers entered the stage alongside vocalist Maggie Hulce '01. Dressed in the shiniest sequins this side of Vegas, Hulce, with her velvety voice and slick choreography, single handedly gave this number glitz and kitsch, and somehow she got away with...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Mostly Nontraditional Jazz Under Foot | 12/11/1998 | See Source »

...trio of dancers, Kimberlee Garris '01, Maiga Miranda '01 and Stefanie De Santis '00, danced to Melissa Etheridge's "Occasionally," a poignant, minimalist guitar-and-vocalist piece that Garris captured cloquently with personally expressive choreography. Jenny Weiss '99 (a co-director of Mainly Jazz) turned out equally excellent and thoroughly modern choreography for her piece. "Collision Course" which her group of dancers performed to the Talking Heads "Slippery People...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Mostly Nontraditional Jazz Under Foot | 12/11/1998 | See Source »

...dances around London suits his style, so too does the new album Peach Head fit a certain style. Only the style is "life in the slow lane." The album comes from Natural Calamity, a band The Japan Times calls "Tokyo's best-kept secret." The record brings guest vocalist Stephanie Heasley together with the original members of Natural Calamity, Shunji Mori and Kuni Sugimoto. The result is a "peachy" sounding record with some great moments, but some listeners may find the peach a little too soft...

Author: By Benjamin A. Teply, CONTRIBUTING WRITER | Title: Natural Calamity Plays Music More Fuzzy than 'Peachy' | 11/20/1998 | See Source »

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