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...Ultravox lost its contrast with Island Records, and after a final U.S. tour, the band exorcised vocalist John Foxx amidst ruffled feathers and misunderstandings. The word than spread that Foxx was working on a totally electronic record, and that he would produce it for his new independent label. By that point, however, Gary Numan had the near world eating out of his metal palm; it was all too easy to imagine Foxx copying his own imposter, and slapping together a buch of machine mumbo-jumbo with titles like "Submarining with the Aliens" and "The Aliens Meet the Happy Hollisters...

Author: By Scott J. Michaelsen, | Title: Mondo-Meltdown Rockers | 3/14/1980 | See Source »

MARRIED. High-voltage Vocalist and Screen Star Liza Minnelli, 33, and Sculptor Mark Gero, 27, who managed her stage show, The Act; she for the third time, he for the first; in New York City...

Author: /time Magazine | Title: Milestones, Dec. 17, 1979 | 12/17/1979 | See Source »

Society sometimes does not get the message, and that only seems to push The Who harder. The power and unpredictability of the group, along with its longstanding and much vaunted intramural volatility ("We've been breaking up ever since the day we started," says Vocalist Roger Daltrey), are a large measure of its appeal and, ironically, the core of much of its strength. It is also the source for a good deal of discomfort and antagonism among those who take rock music casually, and especially among those who would like never to put up with...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

...more interesting are the female vocalist tracks. Fleetwood Mac has always been at its best in the slow, seductive songs of Stevie Nicks and the more assertive but somehow also more despairing ones by Christine McVie. Between the two a certain tension exists which keeps the group from sinking totally into the morass of '70s pop. Nicks plays the Looking for Mr. Goodbar-waif, on her eternal cruise for romantic fulfillment, while McVie acts The Unmarried Woman, imagining herself to be above love but actually despairing over her lack...

Author: By Michael E. Silver, | Title: Driftwood of the '70s | 11/9/1979 | See Source »

Pavarotti is one of those magnetic performers, like Nureyev in dance and Olivier in theater, who not only please the cognoscenti but also wow the masses. His LPs reach well beyond the normal opera market, making him the bestselling classical vocalist on records today. At any given time over the past 18 months, at least four albums featuring him have been on the charts. The man in the street, who may care little about opera, knows Pavarotti as that bearded guy with the boyish grin and the funny accent on the TV commercial for American Express cards. Millions have seen...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

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