Word: vocalization
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Dates: during 1930-1939
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...Miss Anderson has just returned from an amazing European tour--indeed so amazing that the reports of her triumphs might be disposed of as mere fantasy were not there reliable critics to vouch for their authenticity. Her personality has been described as complete selflessness; and this, coupled with fine vocal ability goes to make a singer of rare individuality...
Considering the fact that Marjorie Lawrence has been singing in opera for only three years and that it was her first attempt at Brünnhilde in German, her performance was one to command high praise. She lacked the grandeur of Frida Leider, the vocal powers of Kirsten Flagstad. But she conducted herself with more confidence and poise than do many of the singers who have had long experience on the Metropolitan stage. Her voice was uneven but at its best it was vibrantly warm, true in its top notes, rich when it was low. More than most...
...program for these concerts is as follows: BANJO CLUB Washington Post March Sousa VOCAL CLUB What Shall We Do With a Drunken Sailor Sea Chanty Fireflies Russian Folk Song The Pope Unicyclist Henry S. Stone '38 Chicago Quartet Edward L. Barnes '38, Ralph Hamill '38, Joseph W. Valentine '38, Lee H. Wendell '38 MANDOLIN CLUB To a Wild Rose MacDowell Serenata Toscelli Song of the Volga Boatmen (with the Vocal Club) Russian Folk Song BANJO CLUB Twelfth Street Rag Bowman Margie Conrad and Robinson Jugglers John C. Develin '38, Whiting L. Brewer '37 Magician Edward L. Barnes '38 Football Medley...
...Henry Robbins '37, the Vocal Club under the tuition of Malcolm Holmes '28 has been working on three Russian songs; "Song of the Volga Boatmen", "Fireflies", and "At My Father's Doorstep". Also included on the program are the two dities, "What Shall We Do With The Drunken Sailor?" and "The Pope." An innovation will be accompaniment of the Vocal Club by the Banjo and the Mandolin Clubs in two of the folk songs...
...Bess Meredyth and George Marion Jr., is unfailingly light-hearted and literate. Its score, though a potpourri of operatic and concert-stage favorites, is well chosen. Its cast includes Alice Brady, Virginia Bruce and Luis Alberni. Its star is Lawrence Tibbett, whose baritone voice is still the best vocal instrument the talking screen has presented to the U. S. public and who in this picture, his first in four years, is heard to better advantage than ever before...