Word: vocalizations
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...music coming out of my hands and feet!” Similarly experimental, the bluesy “4 Chords Of The Apocalypse” opens as a keyboard-fueled shuffle before devolving into a grungy rave-up in the chorus with Casablancas shredding his vocal chords over churning twin-guitar solos. The closer “Tourist” resembles the Led Zeppelin classic “Kashmir,” featuring its galloping drumbeat and Middle Eastern-sounding, snake charming guitar lines that rhythmically shift to accomadate the addition of space age synths. Casablancas’ experimental instincts...
...rhythmic and schematic elements of Fall Out Boy’s “Dance, Dance.” Weezer takes a simple melody, adds power chords, and makes the song their own by substituting basic drum interludes with rhythms created by acoustic guitars and adding in the cheesy vocal harmonies that drew fans to the group years...
...Nick Wheeler of The All-American Rejects. “I Don’t Want to Let You Go” sounds uncannily similar to Hoobastank’s 2003 hit “The Reason,” relying on a simple piano melody and slowly heightening vocal theme to convince an unnamed woman not to leave the singer. On “Put me Back Together,” Cuomo sings “I’m alone in my room / I don’t know what to do,” an image...
...last February’s “Years of Refusal.” Like those albums and unlike Morrissey’s earlier solo works, which parted little musically from The Smiths, “Swords” goes beyond jangling guitars and charmingly unstable vocal intonations, instead choosing to entertain other interests. And just as those albums were disappointing to those yearning for more of The Smiths or at least something exciting from their erstwhile frontman, “Swords” continues Morrissey’s downward spiral with an unwieldy collection of obvious throwaways...
...Cheng Ho has to be hands down the most influential vocal leader on the team,” junior receiver Marco Iannuzzi says. “Everyone knows it. If you’ve seen him on the sideline, he gets jacked up, and he gets everyone around him jacked...