Word: vocalizations
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Musically, the production makes occasional use of the vocal talents of Stewart N. Kramer ’12, whose powerful voice opens the show with a rousing, half-drunk chorus of “Vive la Compagnie.” He also briefly appears as a sage street performer singing for his supper. For its many scene transitions, the show too-frequently utilizes the Johnny Cash song “God’s Gonna Cut You Down,” a catchy, yet repetitive tune which rather abruptly jerks the listener out of eighteenth-century France and into...
...said that the truck began in September 2008 as a test-run for the menu Muir planned on using in his future restaurant. However, when he shut the truck down after the test-run period of a mere six weeks, Muir’s customers were so vocal in their disappointment that the truck re-opened in March 2009. The time in-between allowed Muir to reorganize for the overwhelming number of customers the truck receives...
...many Harvard students, once graduation looms, their concerns about speaking out also begin to give way. “The students who are more willing to be vocal are the ones that have graduated and are really experiencing what it means to be undocumented in the real world, not Harvard’s safe place,” Mariana says...
...right now, it’s a waiting game. And if nothing changes, she will at least be satisfied knowing she has done something meaningful. Ultimately, that may mean becoming more vocal than she has been...
...actually one of the album’s highlights, and its slick beats and self-assured air are certainly reminiscent of Usher’s past hits. Usher’s core aesthetic reamins intact: most songs feature strong electronic beats as well as an abundance of vocal and instrumental layering, and all of the production aspects assure that there is almost never a tired moment...