Word: vocalized
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Dates: during 1950-1959
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Aspiring opera singers in the U.S. are in a predicament similar to that of aspiring comedians; they have a hard time getting onto a musical borscht circuit where they can develop their vocal patter. A year ago, an opera-loving Cincinnati adman named John L. Magro decided to remedy the situation, organized American Operatic Auditions, Inc. Its purpose: to hunt down fresh operatic talent for a summer of seasoning in Italy. Winners would get round-trip fare to Italy and a living allowance, free coaching in Milan and a crack at singing professionally on Italian opera stages. Last week five...
...hint at the possibility of some kind of restrictions on nonwhite immigration to Britain, Butler was in tune with an increasingly vocal segment of British opinion. The Trades Union Congress (see below) last week condemned any proposal to raise bars against Commonwealth non-whites and the Labor Party planned to insert an antidiscrimination plank in its next election program. Yet three of London's twelve leading newspapers-the Daily Mail, Daily Mirror and Daily Telegraph-supported restrictions as did a growing number of Tory M.P.s and a few Laborites. And at week's end the Daily Express announced...
...time. In 1950 he became a janitor at Iowa State College for $1.10 an hour. He made a comeback on the European jazz circuit, but last year he came home with a pain in his chest. In an operation to remove a lung cancer, Big Bill's vocal cords were damaged, and the full, gentle voice was reduced to a whisper. Last May he went under the knife once more, for a brain tumor, and he never sang again...
Aside from vocal matters, he has to be a master of gesture and movement. Walking is particularly important here; I am tempted to say that you can tell more about a person from his walk than from any other thing except his speech. An instructive case in point is Alec Guinness' performance in Bridge on the River Kwai. Guinness must have employed at least two dozen different walks for this role, and he was thereby able to convey even without a word, the subtlest changes of condition or attitude...
...What vocal control and timing she has! Her performance in either play alone would be an impressive achievement. But her ability to undergo such a transformation during intermission is almost uncanny. And this is much more than a change of costume, makeup and wig; she does it through her posture, gait, gesture, diction and other ways. Through extraordinary muscular control, she is able to change her whole repertory of facial contours from those of a stunning beauty to those of an uncomely nobody. Genius is not a word to be tossed about lightly; but Miss Page has unmistakable marks...