Word: vocalized
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Dates: during 1950-1959
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Henderson Forsythe is an adequate Banquo, though a little colorless for a man who is supposed to be Macbeth's honorable rival. As Macduff, Roy Poole has a slight vocal problem; but he has a noble manner, and rises to great heights in the moving scene in which he is informed of the slaughter of his family. Duncan is a weak old king, but not so weak as Pat Malone makes him. Barry Macollum is a deeply affecting Physician. William Myers' Lennox needs to smooth out his jerkv delivery...
Trumpet-tongued Richard Waring is wonderfully cast as the swaggering braggart Parolles, an exhibitionist in sartorial as well as vocal matters. Larry Gates is a first-rate King of France, and nearly succeeds in making his sick-bed scene credible. Will Geer is a lovable Lafeu, and has come up with some very original and effective line-readings. Aline MacMahon is aptly warm-hearted as the Countess; and Barbara Barrie's Diana is properly wily yet pure. Hiram Sherman has fun with the Sergeant's mumbo-jumbo; and among other commendable jobs are Jack Bittner's Clown (though his most...
Prokofiev's music, written in the early '205, is taut, economical and superbly dramatic, consisting of almost continuous recitative, punctuated with an occasional soaring aria. The opera reaches its vocal and dramatic climax in the Inquisition scene, in which Renata. a group of nuns and the Inquisitor weave eleven different vocal lines into a complicated polyphony, terminated by a staggering explosion of brass and cymbals...
Both Smithers and Landau should be made to listen to the Queen Mab vocal scherzetto and orchestral scherzo from Berlioz' "dramatic symphony" Romeo and Juliet before Smithers sets foot on the Festival stage again. In fact, no director should essay this play until he has studied all of the Berlioz masterpiece, the only work based on Shakespeare's play that surpasses the original. Significantly, in his Sunday appraisal of this production, the New York Times' Brooks Atkinson was also moved to invoke the Berlioz work. Although he made some inaccurate statements about both Berlioz and his symphony, his basic point...
Mankind's Prayer. To this Buck Rogers apocalypse, Composer Blomdahl fitted an atonal score marked by vocal passages of labyrinthine difficulty and orchestration of such transparent delicacy that it sometimes seemed like chamber music. Frequently the chorus was used unaccompanied as a tautly dramatic background to the soloists' soaring vocal lines, and in some sequences Blomdahl abandoned the orchestra altogether in favor of taped electronic effects. One scene unfolds against a Jabberwockian mixture that includes the speaking voices of Eisenhower. Khrushchev, Hitler, Mussolini and the defendants at the Nürnberg trials...