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Word: vocalized (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Clearest Voices. Ever since Joe McCarthy made his famed speech in Wheeling, W. Va. on Feb. 9, 1950, he has had a highly vocal host of enemies. But their cries of protest have never been so effective as the rising chorus of last week. The reason was clear. A new force had joined in the battle against McCarthy. It included many respected, conservative Republicans whom McCarthy could not call "extreme left-wing bleeding hearts." What they said had real effect with millions of U.S. citizens who had been inclined to overlook McCarthy's tactics because he was opposing Communism...

Author: /time Magazine | Title: INVESTIGATIONS: The Rising Chorus | 3/22/1954 | See Source »

Soprano Gamut. Next night came the company's first Norma in nine years. Written in 1831, Norma was one of the last of the bel canto operas, designed chiefly for vocal acrobatics. The scene is Gaul of the Druids' day. Norma is a high priestess who has broken her vow of chastity and borne the Roman proconsul two children, only to find that he really loves a younger priestess. Much of the melody is limp as a drink of water and the harmonies have the simple severity of Stonehenge, but fastidious fans love...

Author: /time Magazine | Title: Music: Tired & Happy | 3/22/1954 | See Source »

Blue Moon (Duke Ellington & His Quintet; Capitol). The Duke tries a small combo for this fevered version. Jimmie Grissom sobs out the vocal...

Author: /time Magazine | Title: Music: New Pop Records, Mar. 22, 1954 | 3/22/1954 | See Source »

...music itself has a tremendous amount of motion and harmonic variety. It sounds almost atonal at times, but I suspect this is due largely to the sudden, rapid shifts in tonality. Textural variety is achieved by frequent solo passages in which one of the instruments takes a long, vocal line with semi-estinato accompaniment. Taken as a whole, the Three Madrigals may very likely become a permanent part of the violin-viola repertory...

Author: By Lawrence R. Casler, | Title: John and Lillian Fuchs | 3/8/1954 | See Source »

...resemblance to Garland is no accident. Marti Stevens has been collecting Garland records for a long time, and comparing them with records of the Prohibition Era's Helen Morgan, one of Marti's earliest collecting enthusiasms. She decided that her two favorites had the same vocal knack: "A kind of heartbreak, over-the-rainbow. it's-got-to-happen-tomorrow quality. It kills people. It always kills me." She began to try for the same thing in her own singing...

Author: /time Magazine | Title: Music: Born to Show Business | 3/8/1954 | See Source »

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