Word: vocalized
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Dates: during 1950-1959
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...with the Questions. Predictably, Sessions' piece was the most substantial -a difficult "and blazing work, brilliantly played by Violinist Polikoff himself. By contrast, Alexander's Songs for Eve was a plodding and undramatic vocal presentation of texts by Archibald MacLeish around which four accompanying instruments (violin, cello, English horn, harp) weave contrasting sonorities in a striking instrumental texture. Calabro's Sonata and Overton's Quartet were both professional jobs, but more interesting in their smoothly machined parts than in their bland conclusions...
Talking sleepily, the students file in. The room fills; one boy jumps to a stage, calls out, "Let's go." Stiffly at first, the class waggles fingers, wrists, arms and spines in a ragged ballet of calisthenics, then switches to vocal knee-bends: OHO, OHO; AHA, AHA; ZZZZHH, ZZZZHH ; UMPAH, UMPAH; OOOOH, OOOOH. The personage in whose honor the morning rites are performed is abrupt, autocratic, rumpled Professor Paul Baker, 47, head of Baylor University's department of dramatics. In the judgment of Actor Charles Laughton, an old friend, Baker is "crude, arrogant, irritating, nuts and a genius...
...Munich of 1942 and has only rarely been seen outside since. Now in a complete recording (Angel, 3 LPs) for the first time, it proves to be one of Strauss's most fascinating works. Too static for the stage, it is studded with passages of surpassing orchestral and vocal beauty: the sweetly melancholy string sextet that serves as an overture; the delicately interlaced trio in which Musician, Poet and Countess comment on the Poet's sonnet; the Countess' hushed mirror monologue at the close, with its spun-silver vocal tracery. The performers-notably sopranos Elizabeth Schwarzkopf...
Despite the small number of fans, both teams had spirited heckling sections. In fact, Harvard's vocal support caused the Brandeis coach to finish an argument with the umpire by yelling roughly "Oh shut up" at the varsity bench
...trio's verbal jazz comes from Lyricist Hendricks, who nearly ten years ago heard a version of Moody's Mood for Love in which lyrics had been dubbed in for a saxophone solo. Hendricks (now 37) and Boston Jazz Veteran (41) Dave Lambert experimented with instrumental-styled vocal writing for several years, eventually teamed up with London-born Annie Ross. The three of them now sing 30 songs, many of them Basie classics, e.g., Avenue C, It's Sand, Man-heavily flavored with jazz argot...