Word: vocalized
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Dates: during 1970-1979
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...vote admitting mainland China and expelling Taiwan stung many Americans, but none more than Richard Nixon's vocal constituents of the Republican right. Uneasy about the President's policy since his wooing of Peking began, they exploded in choleric anger as the U.N. resolution confirmed their worst fears. Senator Barry Goldwater of Arizona urged the U.S. to withdraw from the U.N. and expel its headquarters to "some place like Moscow or Peking." California's Governor Ronald Reagan cabled Chiang Kai-shek that the U.N. has been "reduced to the level of a kangaroo court." Said Thomas S. Winter, editor...
...considering even the most minor relaxations, Prime Minister John Vorster must still take into account his Nationalist Party's dwindling but vocal right wing, known as the verkramptes (cramped ones). Vorster, 55, a cautious pragmatist during his five years in office, has already adopted a successful "outward-looking" foreign policy of providing trade and aid to black African states. Last month he declared: "Your government is now entering an era of the most practical politics South Africa has ever known. The time of speeches, blueprints and fancy flights has gone." The statement could have meant anything, but aides insisted...
Before a large vocal crowd, the 'Cliffe showed the speed and spirit missing in Tuesday's loss at Mt. Holyoke, Sally Foster '73 starred at right inner, scoring all three of Radcliffe's first half goals. For the second goal. Foster cluded four Jackson defensewomen and sent a tricky reverse stick shot streaking past the Jackson goalie...
...winners from the farm system. Various Hair troupes produced Superstar's Judas and Jesus. A Superstar concert tour and the LP provided Mary Magdalene and Pilate. "There's a special kind of singer needed for rock opera," O'Horgan explains. "It's much more gut, more street. We have vocal ranges in this show that no one could produce without a mike, not even Birgit Nilsson...
Then the itinerant years began. O'Horgan formed a vocal group and made his living by touring his show. In New York City in the '60s, he staged some experimental pieces off-off-Broadway that used speech and sound "as a contrapuntal device rather than a literal communication form." In one play at the Cafe La Mama, Ellen Stewart's seminal theater of experiment, he dressed a young man playing Adam entirely in Reynolds Wrap. God, looking like W.C. Fields, appeared onstage from the midst of the audience and tore off the foil...