Word: vocalized
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Dates: during 1970-1979
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...Bach, Beethoven, Schumann and Tchaikovsky-the latter having conducted at Carnegie Hall's opening night in 1891. "May the Lord have mercy and forgive us for what we are about to do," said Stern, smiling, before joining his friends in the final number, a spirited but flawed vocal rendition of Handel's Messiah...
...farm in the Scottish Highlands, a retreat that has the advantages of rugged beauty and almost total inaccessibility. To reach the unprepossessing stone farmhouse, a visitor must start down a tiny, unmarked country lane that leads to two footpaths, each passing through separate farms and yards. Impressively large and vocal dogs patrol the neighbors' property. If an intrepid fan tried the back way, he would be stopped by an impenetrable...
Black and Blue's most important outside influence comes from Billy Preston, who also toured with the Stones last summer. "Melody," a Preston-inspired number--essentially a dialogue between himself and Jagger--has an old fashioned jazzy piano rhythm and stylized vocals which range from falsetto through scatting and even a throaty 'cocktail bar' whisper. The result is something completely unlike anything the Stones have done before, and the departure from standard fare works remarkably well. Jagger sings in an exaggerated style, demonstrating a suprising vocal complexity and range. Clearly he is experimenting with this new-found idiom and enjoying...
...next cut begins, Jagger reasserts full vocal control. "Fool to Cry" (available as a single) is a slow, haunting ballad heavily tinged with a soul orientation. An undulating string filled (string synthesizer) arrangement builds with the song as a lonely Jagger talks, cries and confesses. This, and the album's other ballad, "Memory Motel," a tough-tender song about life on the road, may be the most important works on the album, in signifying the direction the Stones are moving. These songs--intensely personal in their lyrics and musically straightforward--recall the autobiographical nature of early Jagger-Richard compositions, though...
This Henry is a platoon sergeant rather than lord of the realm. It is not only his gawky stance that denies the cleverness and kingliness of Henry V's character, but also his brusquely rushed vocal delivery that seems to mimic Richard Burton's voice without offering any of its sumptuously resonant timbre...