Word: vocalized
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Dates: during 1970-1979
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Some 150 other pro-choice advocates joined the effort. They met vocal opposition from pro-lifers who were picketing Capitol Hill. Two women pushing baby strollers had a curt conversation. "This is a pro-life baby," said one. Replied the other: "This is a pro-choice baby...
...these are probably not the songs you'll hear first; radio stations have chosen "D.J." and "Boys Keep Swinging" for airplay. "D.J." is the most commercial and least interesting song on Lodger--Bowie's vocal acrobatics are impressive, but the music is in the same style as, and not much of an advance on, that of Young Americans. "Boys Keep Swinging" sets the throbbing electronic pulse of "Heroes" to lyrics that sound like Bowie's answer to the Village People. He's always skirted the epicene, of course, and this is just a bit of harmless camp, but it seems...
...genius like Karajan," he says. "I wanted people to be able to sample various ways of looking at Bach." So he brought in Rosalyn Tureck for an intensely wrought solo recital on harpsichord and piano. Margaret Hillis, director of the Chicago Symphony Chorus, led a sometimes wayward program of vocal and orchestral works that ended solidly on the Magnificat. Harpsichordist Anthony Newman "and friends" sped their dazzling, often unorthodox way through an evening of chamber pieces...
Typically, Evans is now the most vocal of a small (but not modest) band of experts who assert that the U.S. is already in recession. That conflicts with the views of most other economists, who expect the slump to start this summer. In one of his last reports for Chase Econometrics, a computerized forecasting service that he is leaving in September, Evans notes that housing starts, retail sales, personal income and especially new durable goods orders have either slowed or fallen sharply. His conclusion: "You can't have an 8½% drop in new orders in one month...
...been able to mouthwash The Bronx from his speech patterns. From moment to moment, his urban streetside inflection breaks up the house, deliberately. Pacino has insufficient breath control to carry a Shakespearean line, so he spits out the poetry and mars the imagery. He strikes just two vocal chords: one, the brawling ranter, the other the insinuative little-boy whiner. Furthermore, he tends to lisp. Toward the end of the play, when Richard's fortunes are abysmally low, he asks one of his few loyal allies: "Will our friends pwoove all twoo...