Search Details

Word: vocalized (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
Sort By: most recent first (reverse)


Usage:

...performance itself was everything expected of a singer of Fleming’s stature: It was almost without fault, it showed a remarkable range of ability and it had its share of notes that can only be described as glorious. All of which can be found, with poorer vocal quality and a contempo-casual cover, on a recording of Night Songs. But Fleming’s personality—her radiant smile, clever winks and coy directions to the audience— is something that can only be experienced live. It’s been correctly argued that one should...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Fleming and Thibaudet Soar at Symphony Hall | 11/9/2001 | See Source »

...records, but have instead found a growing appreciation from the public. System’s sound is atypical in that their melodies can be at once punishing and low and then sweet and elegant. Tankian’s voice matches the flexibility of the guitar as he stretches his vocal range from a hellish roar to the floating timbre of a classic tenor...

Author: By Michael T. Packard, CONTRIBUTING WRITER | Title: Heavy Metal | 11/9/2001 | See Source »

Everything that made Michael Jackson a success—the irresistibly compelling dance numbers, the unique vocal stylings—is briefly paid homage to and is just as quickly discarded. This is clearly meant to be the rebirth of a new Jackson, distinct from all that has come before. As critics continually delight in pointing out, it has been 20 years since Thriller, 20 years since the King of Pop rocked the world. The intervening years for him were a struggle to prove that he could do it again. Formulas were trotted out and repeated; the world changed...

Author: By Marcus L. Wang, CRIMSON STAFF WRITER | Title: The King of Pop Returns | 11/9/2001 | See Source »

...feminine sound that approaches every note and every line in an incredibly mannered fashion. A forced exhalation and exuberant yell (“Ahh...woo!”) are his trademark sounds. And, for the most part, Jackson does away with all of them on Invincible. He demonstrates considerable vocal range, maturity and honesty. Emotions no longer struggle to filter through the mannerisms; they are laid bare in their entirety. Jackson strips away his image to reveal a new vocal crispness that conveys far more than ever before in terms of nuance and clarity. At times, the listener may wonder...

Author: By Marcus L. Wang, CRIMSON STAFF WRITER | Title: The King of Pop Returns | 11/9/2001 | See Source »

Looking back, McCready says he believes most Cantabrigians are ready to talk fairly with the University. But to his dismay, he says, a vocal anti-Harvard minority dominates town-gown discussions...

Author: By Andrew S. Holbrook, CRIMSON STAFF WRITER | Title: New VP Stone Pledges To Work With City | 11/8/2001 | See Source »

Previous | 254 | 255 | 256 | 257 | 258 | 259 | 260 | 261 | 262 | 263 | 264 | 265 | 266 | 267 | 268 | 269 | 270 | 271 | 272 | 273 | 274 | Next