Word: vocalized
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...different views of how to conduct U.S. foreign policy in the Middle East in general, and in the Israeli-Palestinian context in particular. It's not coincidental that Vice President Cheney, Defense Secretary Rumsfeld and other strong advocates of invading Iraq are also among the administration's most vocal critics of the notion of applying any pressure on Prime Minister Ariel Sharon to resume dialogue with the Palestinians. Neither is there any surprise that the voices of caution, such as Secretary of State Colin Powell, have also been those that have advocated accelerating negotiations towards Palestinian statehood...
...Nobody's expecting Batasuna to go without a fight, and the party's most vocal leader, Arnaldo Otegi, has called on his party's supporters to resist what party spokesmen have called the government's "genocidal strategy." And in an environment of mounting attacks by militant young Batasuna supporters against "Spanish interests" and intimidation of elected officials, many in the Basque Country are bracing for intensified violence. ETA has also threatened to act against those who support the banning of the party - a stance which certainly helps Judge Garzon make his case that the political party and the terror group...
...instrumental break (one featuring Jerry Lee amok on piano, his pummeling accentuated by an arpeggio as if he were running barefoot over the keys, and one of Roland Janes's less ornate but momentum-sustaining guitar work) followed by a reprise of the second verse with the inspired vocal filler "We got a chicken in the barn/ Whose barn? What barn? My barn!" (the drums whacking the "whose-what-my" to give it extra force and fun), then two softer, near-spoken verses - one with the ad-lib "You can shake it one time for me" and a brief impression...
...along and mooooved me, honey!"), adolescent giddiness ("Kiss me, baby! Mmm-mm, feels good!"), desperate anticipation ("Hold me, baby! Well, I wants to love you like a lover should!") and obsessive-compulsive behavior ("I chew my nails and I twiddle my thumb!") - the comic intensity of JLL's glissandous vocal underlines, not undermines the sexual fervor. This is singing in tongues, wild sex behind the barn, rock for the ages...
...rollicking rockin' propulsion, fully merits a place next to his two signature hits. It begins as abrupt as wartime reveille: four four-note phrases, each an octave lower than the preceding, on a piano that sounds a little flat in the upper registers. Then JLL races into his vocal. This is a 12-bar blues with a difference: the breaks come not in the first two lines (as in, say, Little Richard's "Long Tall Sally") but in the fourth and sixth, giving the lyric room to build to a natural dramatic climax and the pianist room to paint...