Word: vocalized
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Local traders and drug barons, many of whom had been supporters of Qadir, were furious. Moreover, although Qadir was vocal about the rights of the Pashtun, some viewed his cooperation with the Tajik-dominated regime in Kabul--and his lack of support for the reinstatement of Afghanistan's king, Zahir Shah--as a betrayal."My efforts have been to urge people here to have patience," Qadir told TIME in June...
...most vocal and angry group of activists anyone's seen in the last five years appeared at the conference. "This meeting was tinged with fear, anger and a great deal of concern over what's happening in Africa and what could happen in other parts of the world," says Dr. Robert Gallo, director of the Institute of Human Virology at the University of Maryland's Biotechnology Institute. Gallo is credited, along with French scientist Luc Montagnier, with pinpointing the link between HIV and AIDS. "I don't want to say there was pessimism, but there was a realization that...
...Despite herself, she smiles at his line - "The clouds broke/ They broke and/ Oh, what a break for me!" - and the corniness of his stage-tenor rendition; he's given a vocal swoop to it and, on "Me," touched his heart. Will this rain never stop? She apprehensively glances outside; no change in the weather. He finishes the chorus with "Long as I can be with you/ It's a lovely day." She's still not won over...
...vocal is followed by three dance choruses, each one faster, jazzier, each bringing the adversaries closer to detente. After singing, Fred rises, twirls, strolls around the gazebo and whistles. Seated, not yet giving in, she whistles too. He walks past her, crooking his arm where hers might slip through. She doesn't take his arm, but does rise to follow him. They take a stroll, left hand in a pants pocket, then both hands in pockets; each step is a bit springier than the last. He is luring her out of a walk and into a dance...
...music breaks (at, aptly, the moment where the vocal would be "Oh what a break for me"), Fred executes his first big figure, spinning toward us and giving it a showbizzy, hands-out finish, then folding his arms as if waiting for Ginger to foul up. He dares her to match him and, through competition, to be a partner in his dance-romance. She does the same step, but to the left, with smaller arm elevation, and, instead of the beseeching capper, ends with a modest stamp of her right foot - abrupt, dismissive, ever-so-slightly Fred-deflating. Her message...