Word: vocalizer
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Dates: during 1970-1979
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...their own deep belief in the maxim, Saber es poder (Knowledge is power). Only 40% have completed high school, vs. 46% of U.S. blacks and 67% of the whites. In urban ghetto areas, the school dropout rate among Hispanics frequently reaches 85%. Language is an obvious handicap, but the vocal Hispanic demand for bilingual education raises particular problems...
Count Fonda as a master of masters in precision timing, vocal inflection and revelatory comic gestures. Aside from that, Fonda is part of the nation's memory bank. When he walks on a stage, his footsteps echo with all the roles he has played in theater and films for four decades. Playgoers are not only in his corner; he is indelibly in their hearts. Alexander is not in his league, but neither is her part. To the role of Chief Justice, Larry Gates brings an authoritative gravity of presence. Too bad he cannot dismiss this flimsy dramatic case...
...Altman looks different in person than he does in photographs; the face is less mephistophelian and more delicate--gentle, almost vulnerable. "I don't have anything to say," he begins, "but I'll answer any questions." His voice is higher than one would expect, viscous and slighly drawly, the vocal equivalent of the corn syrup produced in his native Kansas. For over an hour Altman answers questions from the 30-odd reporters sitting in front of him. He responds patiently and candidly, even when faced with questions he's obviously answered a hundred times in a hundred interviews. Below, some...
Drawing from a variety of sources, Ronstadt puts together a strong selection of tunes in the middle of her new album, starting with an Elvis Costello hit, "Alison." With background vocal help from Andrew Gold and David Sanborn's mysterious alto sax weaving through the chorus, the song suits Ronstadt's voice perfectly, alternately showing a soft, shallow tone and then a full, resonant alto swell...
...derive their beauty from the brassy crescendoes which bolster the tunes. On Living in the U.S.A., a song like "Just One Look," one of the weaker compositions before Ronstadt's touches, comes off fairly well because it gives Ronstadt a chance to belt out the lyrics. And that energetic vocal thrust, hardly what you'd expect from a shy, playful, innocent-looking singer who stands on stage clutching the microphone, rarely strutting about, even on the boldest tunes, gives Linda Ronstadt the power to captivate an audience. In it's February 1977 cover story on Ronstadt, Time called that vocal...