Word: vocalizer
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Dates: during 1970-1979
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Friedman is a vocal and prolific economist known for his firm devotion to monetary economic theory at a time when most other economists subscribed to Keynesian theory. Friedman has served on the faculty of the University of Chicago from 1946 to 1977 and senior research fellow at Stanford's Hoover Institute since 1977. He writes an economic column for Newsweek. An ardent supporter of free enterprise, Friedman believes that many government welfare and antipoverty programs do more harm than good, and he especially disapproves of manipulating government tax and expenditure rates to stabilize the economy. A firm believer in limiting...
...open meeting between students and the Faculty committee this spring chaired by Edward L. Keenan '57, the most vocal students challenged the committee's stated opposition to forming a concentration in women's studies. Keenan argued that women's studies has no methodology, "no way of discovering facts" that differs from the way any other researcher attacks a problem. Instead, researchers in women's studies approach questions about women using the techniques of a historian, a scientist, an anthropologist or an economist, for example...
...less individualistic than Tippett's style is his fidelity to the notion that composers should deal with big social and philosophical issues. From his anti-Nazi -oratorio, A Child of Our Time (1941), through such an instrumental-cwra-vocal work as his Symphony No. 3 (1972), he has charted the precarious survival of humanistic values in a violent, technological age. This concern has been central to his operas. The Midsummer Marriage (1952) plumbed myth and folklore in search of Jungian archetypes of spiritual wholeness...
...tradition in popular music-that of the talking singer. Both like to patter over a light drum beat or bass line, in the manner of a Jim Morrison. For Smith this practice masquerades as high poetic art; for Reed it seems to be more a product of his declining vocal resources. His last album, Take No Prisoners-a live, double-record set-consisted mostly of Reed chattering with and occasionally insulting his audiences...
...following day, Joseph Ternbach, an art restorer who has worked with the Metropolitan Museum of Art, examined the shattered fragments and announced that he could mend Ubatuba in two months. New York Senator Daniel Moynihan, one of the sculpture's more vocal admirers, then called a fund-raising meeting, where the Art Dealers Association of America volunteered to underwrite the $2,000 needed for restoration. Poncet, who worked on Ubatuba over a five-year period, was less optimistic that all the Senator's men could ever put Ubatuba back together again. "Everything would be destroyed in terms...