Word: vocalizings
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Dates: during 1970-1979
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Paul Thompson--contemporary vocal, Landmark...
...plot wanders from Eisenstein's home to Orlofsky's ballroom to the local jail, you realize that it's all just an excuse for the dance music. In the famous trio "So muss allein ich bleiben" ("I must remain alone, then"), Rosalinda--whom Gretchen Johnson plays with vocal agility but no sense of style--begins lamenting her parting with husband Einstein. But she, Eisenstein, and Alfred the mad Italian tenor keep breaking out of the mock tragic music into a perky little waltz, as if to tip the audience off that nothing happening on the stage is terribly important...
Opera--even light opera--is pretty tough for college students to put on, however, and if you're a Strauss buff or just can't resist live vocal music, Lowell's Fledermaus might be worth it. But if you're not a vocal nut, and think you'd depend on stage qualities to hold your attention, stay away...
...SUCCESS OF the other songs depended more on a combination of good staging and acting than vocal purity. In "Strange Feeling," for example, smoke flowed like a waterfall from the back of the stage over the front edge, as the offstage male chorus eerily echoed Susan Perkins's ghostly singing...
Hancock delivers a petrifyingly smooth and solid disc with the pace of a pendulum and an impressive array of moods. "Trust Me," a soft and easily flowing track incorporated his genius on the keyboards and his synthesized voice. To illuminate the backup vocals, a factor many other artists ignore. Hancock relies upon the Four Waters. The Four Waters isn't the name of a quartet, but rather a way to describe the vocal ebb and flow of brothers Oren and Luther Waters and their wives Julia and Maxine. The stunning vitality of their voices sounds electrifying behind that of Hancock...