Word: vocalizings
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...production calls for. They fall out of balance with the piano music rather often, but usually catch themselves and get back on beat fairly quickly. Although Shrime's somewhat-weak voice nearly fails him in some of the lower-pitched numbers, he more than makes up for his vocal short-comings in the other songs, particularly during the Don Juan seduction of Miss Goldberg...
...audience to tears, is possibly the most versatile performer in the cast. She switches gears from Marvin's innocent and hesitant fiancee to his shattered yet infuriated wife with ease, grace and flawless dancing. Barker has a little more difficulty keeping up with the dance numbers, but her vocal performance is solid and her emoting keeps the audience involved. Sheflin, with a voice both powerful and haunting, also performs wonderfully behind somewhat-bizarre sunglasses...
...more bearable than others, and a few may even be classified as vaguely enjoyable. The perky "Backstab Boofie," has a charming exuberance and, since the lyrics are quite unintelligible, is not as embarrassing to listen to as typical YES!! fare. There's nothing wrong with pithy lyrics and limited vocal abilities--check out Cibo Mat-to--but such an approach needs to be tempered by some skilled irony in the delivery. Knox takes himself so seriously that he is dragged into a pit of self-involvement from which there is no escape. Knox is clearly in trouble delivering a line...
Governor Wilson-a two-time winner of both Senate and gubernatorial contests in the nation's most populous state-can't seem to be able to buy a friend in California these days. Minority groups and liberals loathe him for his vocal stances against illegal immigrants and affirmative action, a vociferousness that is equaled by the right wing of his own party for his socially liberal positions. His dire political straits were further emphasized by his negligible '96 presidential run that seemed to end before it began and by his failure to successfully lead a fight to change the G.O.P...
...took Cole Porter to prove Lisa Stansfield really had soul. On Red Hot + Blue, a 1990 tribute album to Porter, she contributed a sublimely sophisticated version of Down in the Depths. The song showed off the pop-soul diva's skills as a vocal interpreter; the number also demonstrated how good she could be when her material was as strong as her sure, supple voice...