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...Hong Kong at the time, there were demonstrations which condemned the Chinese army's presence and power at Tiananmen. There were virulent speeches against the brutal suppression of students. There were small riots. But above all, disillusionment and cynicism about China became more substantiated and vocal...

Author: By Kit Mui, | Title: After '97, A Greater China | 4/16/1997 | See Source »

...assured that this all really happened. Survivors have imparted their memories to Beresford. The vocal arrangements they made still exist and are used in the movie. But in shaping their tale for the screen, shouldn't he have honored their courage--and, yes, inventiveness--with something other than cliches...

Author: /time Magazine | Title: CINEMA: THE ROAD TOO WELL TRAVELED | 4/14/1997 | See Source »

Four numbers spotlight other band members in hard-line bluegrass, while the star saws away eloquently on her violin. But there's plenty for fans of Krauss's vocal virtuosity. Mark Simos' Find My Way Back to My Heart (whose melody echoes Paul McCartney's I've Just Seen a Face) is a lesson in hard-earned self-reliance; Happiness (lyric by Michael McDonald) has the ethereal Eire sound of Enya. The anthemic finale, There Is a Reason, begins in a string-quartet drone and escalates to a wilderness cry for salvation. These are songs in the past tense--love...

Author: /time Magazine | Title: MUSIC: PURE COUNTRY | 4/14/1997 | See Source »

...Bill Miller--frees him to the extent that on some numbers his sense of swing and invention approaches Ella Fitzgerald's joyous, ineluctable pulse (and justifies Capitol's releasing this find on its Blue Note jazz subsidiary). With I've Got You Under My Skin, Sinatra even surpasses the vocal on his famous Songs for Swingin' Lovers version, which really belongs to arranger Nelson Riddle. And as wonderful as that studio performance is, it doesn't include an audibly rapturous female audience member or an unalloyed Sinatra quip in response: "Get your hand off that broad...

Author: /time Magazine | Title: MUSIC: ANOTHER WAY | 4/14/1997 | See Source »

...similar musical promise with its sparkling performance of the overture. The music-making was superb from the outset: members of the chorus blended well with each other and sang fortissimo without overwhelming Christina Harrop's slight Giannetta. Gregory Turay turned Nemorino's first tenor solo into a great vocal cadenza. Soprano Lisa Saffer's Adina soon demonstrated that her coloratura could amply meet the demands of the bel canto style...

Author: By Matthew A. Carter, | Title: BLO's 'Elisir d'Amore' a Sure-Fire Cure for the Opera Blues | 4/10/1997 | See Source »

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