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...Albert E. Gordon '59, a long timecontributor to the University and vocal critic ofHMC, attacked the management company foroverpaying its employees and keeping its workingsecret...

Author: By Jonathan N. Axelrod, | Title: Finance Experts Differ On Management Co. | 4/25/1994 | See Source »

...Mere (To My Mom)," a French ballad with a soothing acoustic-guitar rhythm, features the best aspects of Adjaffi's voice. Although he shows a limited vocal range in "Revolution," Adjaffi is generally able to disguise his limitations by straining his voice...

Author: By Marios V. Broustas, | Title: Harvard Square's Bob Marley Is Jamming His Way Up in the World | 4/21/1994 | See Source »

Adjaffi shows surprising versatility in his musical style and the use of his vocal talent, but his lyrics often seem simplistic. "Michelle" is the best-arranged song with the most catchy riff, but the lyrics lack depth. In "Power of Love," Adjaffi message also seems simplistic: "The power of love can touch you everywhere, can put you up in the sky." But poor lyrics never hurt Steve Miller and besides, Adjaffi shows lyric promise on "Great Cathedral" and "Tears of the Children" which belie his otherwise apolitical message...

Author: By Marios V. Broustas, | Title: Harvard Square's Bob Marley Is Jamming His Way Up in the World | 4/21/1994 | See Source »

...that cannot live yet never dies," Wilson sings, her rich alto conjuring feelings of midlife rust and heartbreak. Wilson's voice never pushes to hit any big, crass Star Search notes; this is a quiet album of submerged pain. Redbone, written by the singer, consists only of her molasses vocals, the twanging of a pedal steel guitar and African-tinged percussion. On the album's best track, a cover of Van Morrison's Tupelo Honey, Wilson reveals the song's soul not through vocal gymnastics, but by lingering caresses of each line. She creates emotional tension by holding power...

Author: /time Magazine | Title: MUSIC: Soft Songs, Hard Truths | 4/11/1994 | See Source »

...Average WhiteBand, Earth Wind and Fire, and Billy Preston.Preston's "Outta-Space," the second track on thisalbum, features a thick funk groove underneathPreston's organ and key work. Oh yeah, there's agreat instrumental version of Led Zeppelin's"Whole Lotta Love" with King Curtis screaming outRobert Plant's vocal line on his sax, producing aprophetic marriage of funk/soul orchestrationswith heavy metal...

Author: By Seth Mnookin, | Title: Of Tango, Bluegrass, and surf Music... | 4/7/1994 | See Source »

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