Word: vocally
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...evening, “Duet,” Joffe and Verma expertly executed the sensual choreography of Nell S. Hawley ’10. The duo worked beautifully together, often moving exactly in sync, as if they both belonged to the same body. The choreography, set to the powerful vocal music of 17th-century German composer Heinrich Schutz, made excellent use of the space in between the dancers’ bodies. The ending sequence left a lasting impression as the two girls embraced, before pulling away from each other...
When Macy Gray hit the scene in 1999 with her distinctive vocals and universally appealing, Grammy-winning single “I Try,” everyone seemed to take notice. She even managed to achieve popularity among high schoolers in the age of boy bands and Britney. Now, only eight years later, Gray has put out her fourth studio album; and who knew she had been so busy? Her previous two albums flew under the radar (especially her near-universally panned effort, “The Id”), and her newest work...
...course, a total refusal to talk to Fox will not end the channel’s questionable reporting; instead it would only further negative Democratic stereotypes. But Democrats are not obligated to lend Fox’s events legitimacy by participating. As Matt Stoller, a vocal Fox critic wrote on the blog MyDD, “The goal is not to get Democrats not to appear on Fox News…the problem comes in validating Fox News as a legitimate news source...
...world characterized by Britney’s provocative gasps and Beyoncé’s unbridled sex appeal. “Girl They Won’t Believe It” would fit comfortably on a ’70s soul compilation: with its three-part back-up vocals it sounds like something out of “Dreamgirls.” “Music,” which features Lauryn Hill and feels slightly more like R&B than soul, is another stand-out track, largely because its slower beat and lower range complement Stone?...
...completely new. Objectively, it’s amazing. The singles get wisely buried in the mix. Cowbell-heavy “Us v. Them” ends up near the album’s end; but while the sequencing shows restraint, the song’s bombastic multi-tracked vocal harmonies suggest that Murphy may even be taking on Freddie Mercury. “North American Scum” is this outing’s silly bootyshaker, the equivalent of yesteryear’s “Daft Punk Is Playing at my House?...