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...crowd through a lengthy chant of “Nothing/nothing/nothing” culminating with the cathartic release of “Nothing at all.” Another crowd sing-along on “Shot in the Arm” kicks Tweedy and bassist John Stirratt into vocal overdrive as they shout: “Maybe all I need is a shot in the arm/Maybe all I need is a shot in the arm/Something in my veins/Bloodier than blood.” This blood courses through the end of “Via Chicago,” where...

Author: By Nathaniel Naddaff-hafrey, CRIMSON STAFF WRITER | Title: Kicking Television | 12/1/2005 | See Source »

...only one that is very vocal and active,” he adds...

Author: By David Zhou, CRIMSON STAFF WRITER | Title: Flag Fight Mars LSU Squad's Banner Year | 11/30/2005 | See Source »

...provided evidence of the existence of God.“The irony is now that the tables are turned,” Edwards says. ‘IRREDUCIBLY COMPLEX’Many leading advocates of intelligent design debates are far from uneducated. Michael J. Behe, one of the most vocal and prolific advocates of intelligent design, received a doctorate from the University of Pennsylvania in biochemistry. He is currently a professor of biology at Lehigh University.Consequently, the language of articles advocating intelligent design is often sophisticated, academic, even scientific.Behe used language such as “irreducibly complex...

Author: By Sarah E.F. Milov, CRIMSON STAFF WRITER | Title: INTELLECTUAL CURRENTS: Intelligent Design Finds Few Sympathizers at HDS | 11/29/2005 | See Source »

...brief, frenetic bongo riff leads to the vocal theme-each of title's four words held for a full bar-accompanied by the bass drum working out (at a much slower tempo) the immortal boom, ba-doom intro to Fats Domino's 1957 "I'm Walkin'." (The guys are singing heavenly choir, but the drums say Big Easy.) Then we're back in marching mode, with a piano and, for a few bars, a mocking trumpet. This time, all four Seasons participate in the narrative; the backing vocals don't just underline the story, they sometimes undermine it. Frankie sings...

Author: /time Magazine | Title: The Falsetto Meets "The Sopranos" | 11/25/2005 | See Source »

...show may zip theatergoers back to the '60s, but it was a different '60s. Back then, the Seasons were appreciated for catchy, danceable (or marchable) songs with tight, soaring harmonies. But the Beach Boys, on the other coast, were the preferred vocal group. As for the Seasons' lyrics, I guarantee nobody was parsing them to determine the romantic ache, handed out and absorbed, behind the perky melodies and simple rhymes. (It took the Beatles to bring together the '60s teen's high and low aspects: English lit and rock 'n' roll...

Author: /time Magazine | Title: The Falsetto Meets "The Sopranos" | 11/25/2005 | See Source »

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