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There were hints of the Beastie Boys in the rhyme constructions and vocal melodies and the choruses occasionally invoked the passion of Rage Against the Machine as did the twisting bass/guitar octaves when played in unison...

Author: By Nathaniel Naddaff-hafrey, CRIMSON STAFF WRITER | Title: ARTS TUESDAY: Band Embraces Crossover Genre | 2/22/2005 | See Source »

University President Lawrence H. Summers will once again face strong criticism from professors who disapprove of his presidency at today’s Faculty meeting, although his supporters are expected to take a more vocal stand today than they did last week...

Author: By William C. Marra, CRIMSON STAFF WRITER | Title: Summers, Faculty Brace for Meeting | 2/22/2005 | See Source »

...editor—overwhelmingly voiced support for both Summers and the comments he made on women and science at a recent conference of the National Bureau of Economic Research. In seeking to balance the opinions on the page, we contacted several professors who were some of the most vocal opponents of Summers at the Faculty meeting, and all those we contacted declined to write for this page...

Author: By The Crimson Staff, | Title: FOCUS: Summers' Tenure in Question | 2/18/2005 | See Source »

...lips / I'm on a ride?”), you can’t understand most of what she’s saying, her singing is at its worst (by now that “throaty growl” isn’t sexy, just grating), she gives her vocal absolutely no soul whatsoever (I mean, sheesh, Cher on “Believe” sounded more into it), and the production uses every single instrument in the GarageBand (or whatever they use) arsenal. But, if you listen really carefully, right before she starts singing, you can hear the ringtone...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/18/2005 | See Source »

...lips / I'm on a ride?”), you can’t understand most of what she’s saying, her singing is at its worst (by now that “throaty growl” isn’t sexy, just grating), she gives her vocal absolutely no soul whatsoever (I mean, sheesh, Cher on “Believe” sounded more into it), and the production uses every single instrument in the GarageBand (or whatever they use) arsenal. But, if you listen really carefully, right before she starts singing, you can hear the ringtone...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

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