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Some of the reconceived characterizations meet with more success. Allowing Tobias (played winningly by John Keefe ’01) to narrate gives the musical a beautiful circularity it otherwise lacks. Keefe’s charm, versatility and vocal talent make his performance one of the evening’s highlights...

Author: By Jason T. Fitzgerald, CONTRIBUTING WRITER | Title: Match Made in Hell | 5/3/2002 | See Source »

While Anderson’s “Johanna” could benefit from more passion, his vocal delivery is more than worth the price of a ticket (even when it’s not comped). His reputation as one of Harvard’s finest tenors is well deserved, and he conveys his character’s wholesomeness consistently and believably...

Author: By Jason T. Fitzgerald, CONTRIBUTING WRITER | Title: Match Made in Hell | 5/3/2002 | See Source »

...Bloodsport (Tommy Boy Records) On the Sneaker Pimps’ third album, Bloodsport, they dump their vocalist, Kelly Dayton, the voice of their most recognizable hits, “Six Underground” and “Low Five” and adopt a more raw male vocal sound. The feel of the album can’t be described as alternative. It lies somewhere between indie and electronica, informed as much by the smooth beats of Moby’s relaxed moments as by Apollo Four Forty’s frenetic, guitar-based electronica...

Author: By Ian R. Mackenzie and Daniel M. Raper, CRIMSON STAFF WRITERSS | Title: The Week | 5/3/2002 | See Source »

...vocal commentator on the gay rights movement in India—a role he readily assumed—Saran urged gays to demand their rights fervently, without separating themselves from the rest of society...

Author: By Alex L. Pasternack, CRIMSON STAFF WRITER | Title: Graduate Known For Activist Films Dies | 4/30/2002 | See Source »

Among the many eye-catching performances, a few are worthy of mention. Alison G. Giordano ’05, in her turn as Marcy, the Harvardian who has trouble snagging boys, possesses a remarkable bluesy voice that renders her the vocal standout...

Author: By Douglas G. Mulliken, CONTRIBUTING WRITER | Title: Freshman Musical, Sophomoric Humor | 4/26/2002 | See Source »

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