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With their three singers, Gomez have a penchant for vocal harmonies that few bands have indulged since the Beatles (who Gomez covered sublimely on Trolley). On the title track, a ballad which comes as close as Gomez get to brooding, Ball’s warm, breathy voice gets overlaid with harmonies until it’s hard to tell who’s singing the lead...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/22/2002 | See Source »

...States have condemned the elections. The EU imposed sanctions on Zimbabwe before the election was even held, following the expulsion of European election observers, and EU ministers are set to discuss the possibility of further measures. In the United States, Secretary of State Colin L. Powell’s vocal criticism of the elections is welcome, but additional diplomatic measures should be considered in order to influence Mugabe...

Author: By The CRIMSON Staff, | Title: A Stolen Election | 3/19/2002 | See Source »

...legendary jazz label, schedule an appointment and play him a demo. Lundvall has heard thousands of tapes, but only twice has a relative unknown walked into his office and walked out with a record deal. The first, in 1994, was Rachelle Ferrell, who possesses a dazzling 6 1/2-octave vocal range. The second was a tiny wisp of a singer named Norah Jones. "Norah doesn't have one of those over-the-top instruments," says Lundvall. "It's just a signature voice, right from the heart to you. When you're lucky enough to hear that, you don't hesitate...

Author: /time Magazine | Title: Music: Jazzed About Ms. Jones | 3/18/2002 | See Source »

That is not the sort of question often asked about Disney cartoons, but Wurfel’s cynicism reflects the indignation of a small but vocal movement against Snow White and her animated peers. Since the animated heroine’s 1937 debut, nearly every Disney cartoon has been accused of sexism or racism. The criticism peaked during the 1990s, when Aladdin and Pocahontas drew the wrath of advocacy groups enraged by the films’ racist stereotyping and revisionist history...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: A Not So Nice Disney | 3/15/2002 | See Source »

...SOiL asserts its style immediately. This up-tempo opening track opens with a feverish drum line whose pace is so furious that it seems on the verge of falling out of step with the halting and heavy riff layered upon it. McComb shows off his ability to dynamically shift vocal tone, without stretching his overall range. His thick-throated melody is reminiscent of Creed’s Scott Stapp with a lot less Jesus and a lot more animosity, while his more aggressive growls and screams are akin to Pantera’s Phil Anselmo...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/15/2002 | See Source »

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