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...glorified soup spoon. This humble arrangement, however, was deceptively simple. Bartoli's first notes were tentative and seemed a bit unsure, but as she worked her way through four works by Guilio Caccini, she one could hear the strength coming into her voice. Bartoli showed hints of her vocal range by alternating between faster, animated songs ("Tu ch'hai le Penne, Amore," and "Amarilli") and slower, more sedate songs, such as "Belle Rose Porporine" and "Al Fonte, al Prato...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Damsel in 'Dis Dress | 11/3/2000 | See Source »

...even the facelessness of cyberspace cannot prevent hurt feelings. As long as this issue remains behind closed doors and written between the margins, some students will continue to choose silence rather than face continued hostility. One of the more vocal participants in the schmooze discussion, Daniel B. Garcia-Pedrosa '02, in reply to a friend's e-mail that questioned his views, summarized in this way: "I really don't know why you would think what I said was mean. And I'd like for you to understand where I'm coming from, because I'm trying to be very...

Author: By Christina S. Lewis, | Title: Holding Dialogue Hostage | 11/1/2000 | See Source »

...then there is Ono's music. She took seriously the example of the avant-garde composer John Cage, who incorporated actual noise into his work. For the soundtrack of Fly, Ono simply makes a succession of nerve-jangling vocal sounds--ululations and sudden shrieks, weird cooing and feline melismas--that are unworldly but unmistakably human. To put it mildly, her voice is not the ideal instrument for mainstream pop, but it can have the cracked charm of Neil Young's or Kurt Cobain's. If she had not been too famous by the late '70s to make a name...

Author: /time Magazine | Title: Art: In Her Own Image | 10/30/2000 | See Source »

When the other members of British cult pop sensation Saint Etienne took a little break to launch their own record label, their lead singer built on her songwriting experience with the band and worked her vocal magic, giving the world of pop her first solo album, Lipslide. An expedition into a world of '60s girl pop mixed with some electronic production, Sarah Cracknell's dreamy vocals grow and grow on you until you're forced to surrender to the album's subtle yet straightforward sound...

Author: By Arts Staff, CRIMSON STAFF WRITER | Title: New Albums | 10/20/2000 | See Source »

...publicist praises her work as "classic timeless pop," and those who are already fans of Cracknell's work with Saint Etienne would probably agree. Everything that shone about her vocal work for that band is even more obvious on her own album. Charmingly subdued and perfectly mellow at times, her voice calms and soothes you into a pop-induced bliss. Is Lipslide really "pop precision," as the press release would have you believe? There's nothing precise about it; you might even complain that all the tracks blend too much together, leaving you with nothing but pop amnesia. But Lipslide...

Author: By Arts Staff, CRIMSON STAFF WRITER | Title: New Albums | 10/20/2000 | See Source »

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