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Conservative opponents of affirmative action, especially Kenan Professor of Government Harvey C. Mansfield Jr. '53, have been vocal in their criticism of Rudenstine's report...

Author: NO WRITER ATTRIBUTED | Title: Edley Criticizes Rudenstine Report | 1/8/1997 | See Source »

...issue is raging around the county: where should the nation be going on racial and gender justice?" Edley said. "This is an issue on which leaders at Harvard and other institutions should be vocal, but I haven't seen...

Author: NO WRITER ATTRIBUTED | Title: Edley Criticizes Rudenstine Report | 1/8/1997 | See Source »

...seems to have allayed the fears of the small but significant number of Republicans who were leery of re-electing him while he remained under an ethical cloud. Connecticut's Chris Shays, who had threatened to abstain unless the report was released, and New York's Peter King, a vocal Gingrich critic, came back into the fold, both pledging to vote for Newt on Jan. 7. What remains, however, is the problem House Republicans feared still more: daily partisan warfare over Gingrich that will make it even more difficult for their diminished majority to accomplish anything meaningful...

Author: /time Magazine | Title: THE APOLOGY STRATEGY | 12/30/1996 | See Source »

...when Madonna was involved in an earlier effort to make the film, Lloyd Webber was quoted as saying she was too old to play Evita. "What I said was that by the time anybody gets around to making the movie, she'll be too old," he now explains. Vocally, he admits, Madonna did not come to the role with the powerhouse pipes of such stage Evitas as Elaine Paige and Patti LuPone. But she worked with a vocal coach in New York City, and Lloyd Webber helped by lowering the score a few keys. "She doesn't claim to have...

Author: /time Magazine | Title: MAD FOR EVITA | 12/30/1996 | See Source »

...their gorgeously cynical opera about Eva Peron--reimagined through the eye of director Alan Parker and the flesh of Madonna. The take is dense and studious, an aptly conservative adaptation of a pop classic; it lets the score seduce and the star shine. Madonna, who is up to the vocal demands of the role, makes Eva--sexual predator, social climber, queen of the Argentine, would-be saint--an appealing character in a cautionary fable. The moral: celebrity needs suffering and early death as its price and consummation...

Author: /time Magazine | Title: CINEMA: THE BEST CINEMA OF 1996 | 12/23/1996 | See Source »

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