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...must offer one caution. This department will be able to wield much influence--Professor Gates said that "the Du Bois Institute [is] in an ideal position to assume a central role in shaping public policy issues of race and class." While Harvard's scholars should continue to be vocal and influential, they should not use their power in academia to silence other voices or completely dominate intellectual discussions. For example, in the past, Booker T. Washington attempted to dictate the terms for black progress, and even Du Bois sought to undermine Marcus Garvey. Harvard's Department of Afro-American Studies...

Author: By The CRIMSON Staff, | Title: Afro-Am Ascends With Wilson Addition | 2/13/1996 | See Source »

Although defeated over a year ago at a state-wide referendum, rent control still influenced last night's debate. One member of SPOA wore a "rent control sucks" T-shirt, and supporters of the proposal booed and hissed while Schloming--a vocal opponent of rent control--spoke...

Author: By R. ALAN Leo, | Title: City Council Delays Housing Plan Vote | 2/13/1996 | See Source »

Attention then falls to the merits of the cast, only some of which hold up under scrutiny. The best vocal performance is given by The Nurse, a part-time caregiver/dominatrix who has a good bit of trouble staying off her back and in her uniform. Cristin J. Hubbard captures this role successfully with the help of a strong stage presence and a clear, expressive voice that is sensitive to the jokes and ironies in some of her songs...

Author: By Fabian Giraldo, | Title: Costumes Shine in Hello | 2/8/1996 | See Source »

Allowing departmental bypasses would make the new and improved Core more palatable to students by addressing a fundamental characteristic of Harvard undergraduates (or at least the vocal segment thereof): We resent being told what...

Author: By Patricia Larash, | Title: Toward Effective Core Reform | 2/7/1996 | See Source »

Twinlights' pinnacle is its remake of the obscure "Pink Orange Red." Like 1984's "The Spangle-Maker," their most accessible and popular song to date, "Pink Orange Red" never really resolves. The first minute of the song consists of Fraser's tentative vocals hovering over three muted piano chords. Fragile acoustic finger-picking and the barely audible pulse of synthesized strings are slowly woven in while Fraser's voice soars to subtly cathartic heights. The song ends by spiraling into a minute of vocal trilling that calls to mind the continuous, fluttering fall of autumn leaves...

Author: By Nina Kang, | Title: Cocteau Twins Lose Their Angry Roots | 2/1/1996 | See Source »

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