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...richness of Lennox's voice is also on display in her rendition of "Downtown Lights." The singer shows her amazing vocal range in her blue-eyed soul version of the Al Green classic "Take Me to the River." On another Motown classic, "Can't Get Next to You," she brings in a Spanish guitar to interesting effect. Ultimately, though, it is Lennox's voice that remains the album's most vital instrument...

Author: By Daley C. Haggar, | Title: Medusa Rehash Right On | 4/6/1995 | See Source »

...saga began four years ago when then dean of Yale College, professor Donald Kagan, a vocal champion of the study of Western Civilization, helped inspire the $20 million donation from Bass, a 1979 graduate of Yale. Bass, whose family had given a total of $85 million to Yale by the early '90s, agreed to fund seven new full professorships and four associate positions in Western...

Author: /time Magazine | Title: HOW TO LOSE $20 MILLION | 3/27/1995 | See Source »

...hero; in Holland, Michigan. Urban's World War II exploits across the European theater ultimately earned him more combat decorations than any other soldier in American history, including the Medal of Honor and seven Purple Hearts for wounds received in combat, like the bullet that tore out a vocal cord and left him raspy-voiced to the end of his days. He led a milder civilian life as a recreation director...

Author: /time Magazine | Title: Milestones Mar. 20, 1995 | 3/20/1995 | See Source »

This year's Lowell House Opera production of "La Boheme"--Puccini's only opera to deal with the difficult but popular subjects of love and infectious disease--provides an accessible introduction to Puccini's inimitable style for the operatically intrigued. For the operatically obsessed, confident and powerful vocal performances backed up by a fluid and attentive Rochestra amply compensate for a disappointing lack of on-stage dramatic energy...

Author: By Jefferson Packer, | Title: Rhapsody, Lowell's Boheme | 3/16/1995 | See Source »

Leads Laurie Ann McGowan (who will alternate performances with Alexis Zeiff Martin) as Mimi and Frank Ragsdale as Rodolfo are warm if low-key lovers. Vocal prowess combined with comfortable English diction compensate for somewhat subdued interaction on both parts. (Those who saw "La Traviata" last year can't help but feel a pang of deja vu as McGowan lies dying of tuberculosis in the fourth act with Ragsdale clasping her palm...

Author: By Jefferson Packer, | Title: Rhapsody, Lowell's Boheme | 3/16/1995 | See Source »

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