Word: vocals
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Dates: during 1990-1999
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...wants to change the city, too. He has been one of the most vocal critics of City Manager Robert W. Healy, and has said he will not vote to extend Healy's contract next fall...
Besides the quartet (pianist Alan Broadbent, drummer Larance Marable and tenor saxophonist Ernie Watts, along with Haden), there are guest vocalists on a few of the cuts (Shirley Horn and Bill Henderson) and a chamber orchestra on others. But it is Haden's spooky, unpolished vocal on Wayfaring Stranger, the closing track on this superb album, that provides a surprising but characteristically intrepid coda, a valedictory from a musical explorer who can find new territory anywhere he wanders...
...energy and heart, and it shows. Same for Jennifer Glick '00 (Hope Harcourt)--she starts out a little too plasticky for her character but warms to the task, and eventually shines during the jail scene. In Jac Huberman '01, the performance of Bonnie is made up for in vocal top-heaviness with well-played humor and a sophisticated intimacy with her unsophisticated character. And while the dancing of John Keefe '01 (Billy Crocker) makes one think Pacey Witter meets Carlton Banks meets a (very) immature Fred Astaire, he has great boyish vocals, and does extremely well with the hilarity...
...save the show. The first, surprisingly, is Sir Evelyn Oakleigh. Played by Rodrigo Chazaro '99, Evelyn is the stuffy Englishman whose heart is turned by Reno Sweeny, the nightclub queen herself. And Chazaro plays his character like no other--his cutesy navet, his unfailingly proper demeanor, even his specific vocal inflections are flawless. The second, and even more outstanding, is Reno Sweeny herself, played by Vered Metson '01. Metson's performance is utterly captivating--in this sense, she literally saves the show. Imperfections in other portions of the production (the slightly-too-unprofessional set, for instance) melt away...
Together for the first time in more than two decades, the four warriors of this onetime supergroup are nearly old enough to collect Social Security. Yet their crystal vocal harmonies and politically conscious folk-rock remain surprisingly affecting. With a couple of superb contributions by Young, they've come up with something more than mere deja vu. But in the age of the Backstreet Boys, you wonder: Will anyone pay attention...