Word: voce
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Dates: during 1930-1939
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...came immediately, spread throughout the U. S. Attorney General Frank Murphy, whose dark red eyebrows are ranked third in Washington below Lewis' and Garner's, had a reporter reread Lewis' statement to him, chuckled heartily, said aloud: "That's too eloquent for comment," then sotto voce to a nearby reporter: "It's a sinful world." (Mr. Murphy and the entire press section of the Justice Department spent the rest of that day and evening, in hasty afterthought, insisting he had not correctly understood the statement...
Since the Axis treaty, Italians refer to Adolf Hitler as La Voce del Padrone ("The Master's Voice"), the Victor phonograph trademark whose secondary meaning is understood by everyone. Too many Gestapo men are around to mention the word "Hitler or "Adolf," but when Italians say "We were better off under our own padrone," the inference is that they believe Il Duce to have lost his hold on Italy and that the Führer is really the boss...
During the waiting period, speculators taking the hint tentatively bid up commodities and stocks. When the day of the event arrived, the press, 125 strong, trooped into the President's oval office; they found it rigged up, as one reporter murmured sotto voce, like a college course in Economics 2A. At his desk sat the President, jovial as ever. Behind him was an easel stacked with charts. 'Primly erect, like a visiting professor, Secretary of the Treasury Henry Morgenthau sat at one side, flanked by James Roosevelt, Charles Michelson, Steve Early, Marvin Mclntyre and the usual Secret Service...
...votes than the two-thirds required to invoke cloture and end the filibuster, but the filibuster nevertheless went on. Alert Walter White made increasingly anxious trips downstairs to confer with Senators in the reception room. One of his departures from the gallery was noted by Jimmy Byrnes with sotto voce sarcasm: "Barkley can't do anything without talking to that nigger first...
...screen. As such it is satisfying entertainment. Vivacious little Diva Pons yodels a nameless vocal exercise, an adaptation of Panofka's Tarantella, an Arthur Schwartz tune called Seal It With a Kiss and, for the inevitable climax on the stage of the Metropolitan Opera, the Una voce poco fa aria from The Barber of Seville, in which she turns loose the fastest high C yet released on a Hollywood sound track. All these correspond to the school figures of cine-musicomedy. The real pyrotechnics of That Girl from Paris come when Diva Pons puts classical touches on The Blue...