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Word: voce (lookup in dictionary) (lookup stats)
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...whose career is leading a double life, for the most remarkable demonstration of his fictional powers is a novel virtually unknown in the U.S. or abroad. As dark and demoniac as Pnin is gentle and sunlit, this novel has in the past year become a sotto voce scandal on two continents. Lolita, published in English by France's Olympia Press, gives the pornography-v.-art debate its most combustible tinder since Judge Woolsey handed down his famed decision on Ulysses...

Author: /time Magazine | Title: Books: Pnin & Pan | 3/18/1957 | See Source »

...reason for the change is the vastly increased barrage of U.S. advertising ($9 billion in 1955, v. $3.4 billion in 1946). Says a Los Angeles agency executive: "We are suffering from fatigue of believability." To revive the customer, admen are turning increasingly to sotto voce selling: the eye-catching picture, the self-deprecating cartoon, the chuckle. Says one character: "I was a 99-lb. weakling. Then I bought a Carrier Room Air Conditioner. I'm still a 99-lb. weakling but, boy, is my bedroom nice and cool!" In Atlanta a cartoon colonel declares: "I'd even...

Author: /time Magazine | Title: Business: THE SOPHISTICATED SELL | 9/3/1956 | See Source »

Tebaldi excells in the delicate spinning out of a phrase with a lovely, floating mezza-voce (half-voice). She loves to linger over each tone color much in the manner of the tenor Gigli. There is no doubt that she is a true diva; even her faults are majestic. Her voice is accustomed to soaring over an orchestra, and the bare accompaniment of a piano could not hide her steely, shrill quality at full voice, another common trait of Italian sopranos...

Author: By Stephen Addiss, | Title: Renata Tebaldi | 2/3/1956 | See Source »

...most successful song was Bellini's Dolente Immagine, in which Tebaldi lingered over every vowel, almost caressing the notes with her voice. Another highlight was the magnificent Ave Maria from Verdi's Otello, which despite one shrill phrase was memorable for a ravishing final high note in mezza-voce. The audience went wild, and called Tebaldi back for three Puccini arias as encores. She didn't mind the tiring program, and sounded as warm-voiced, and also as occasionally shrill-voiced, at the end as she did in the beginning of the concert. She may not be the best...

Author: By Stephen Addiss, | Title: Renata Tebaldi | 2/3/1956 | See Source »

...real treat of the evening was a chance to hear two seldom performed and magnificent song cycles, Faurc's L'Horizon Chimerique and Vaughan Williams' On Wenlock Edge. Gartside showed his ability in mezza-voce in the third of the Faurc songs, Diane, which was chillingly beautiful...

Author: By William Sixt, | Title: Robert Gartside | 10/6/1955 | See Source »

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