Search Details

Word: voight (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...Lehrer, Alan Jay Lerner, Shirley MacLaine, Karl Maiden, Shelly Manne, Fredric March, Walter Matthau, Elaine May, Vera Miles, Paul Newman, Jack Nicholson, Tom Poston, Janice Rule, Barbara Rush, Robert Ryan, Eva Marie Saint, Artie Shaw, Tom Smothers, Sonny & Cher, Rod Steiger, Mario Thomas, Lily Tomlin, Robert Vaughn, Jon Voight, Eli Wallach, Ruth Warrick, Dennis Weaver, Raquel Welch, Gene Wilder...

Author: /time Magazine | Title: The Nation: A Show Business Who's Who for Whom | 5/1/1972 | See Source »

WINSOME, The Wrongway Inn is not. Although the show is a bit too long episodic, director-choreographer Voight Kempson has injected a good deal of energy and brought off some splendid dance routines. The second-act kickline ("The Don't Tread-on-Me-Blues"--composer Stephen Sondheim seem's to have been the evening's guiding light) is a harlequin-outfitted Busby Berkely spectacular which has nothing at all to do with the plot and is probably all the better for it. As proper compliment to the direction, Franco Colavecchia has done a swell job of set design--his complicated...

Author: By Gregg J. Kilday, | Title: The Wrongway Inn | 3/4/1972 | See Source »

...enought autobiographical account of adolescence on Long Island during the first half of the sixties. Shooting in black and white, Williams was careful to set up a series of well-constructed situations as he played off his schlemiel (Barry Gordon) against the jockest imaginable forces of evil (periodically Jon Voight in his first screen appearance Voight also starred in Williams' second feature. The Revolutionary, again a presumably autobiographical account of alienation, anxiety and revolt. At once a more ambitious film, The Revolutionary seems also less sure of itself: its hero is a cypher (known only by the name...

Author: By Gregg J. Kilday, | Title: Grass, Acid, Talent... | 2/8/1972 | See Source »

...pity that Alex is not the only divided personality of Sunday Bloody Sunday. There have always been two John Schlesingers. The high Schlesinger is the consummate actor's director. Julie Christie has never fulfilled the promise of Schlesinger's Darling. Jon Voight has not come near his performance in Midnight Cowboy. Finch and Jackson will find it difficult, perhaps impossible, to equal their Sunday roles. The low Schlesinger is a pirouetting dandy who can take a lean, melancholy story and muck it about. Thus he filled Midnight Cowboy with baroque ornaments and fussy camerawork. Thus he films Sunday...

Author: /time Magazine | Title: Cinema: Difficult but Triumphant | 9/27/1971 | See Source »

...other films, Jon Voight flashes a box of Colgate shaving cream, Jack Lemmon munches on Cracker Jack, and Starlet Linda Scott sports a tight T shirt with the name of Bell Helmets rippling across her chest. Jean-Paul Belmondo and Alain Delon, in their latest flick, wear hats made by Italy's G. Borsalino & Fratello Co. The film's title: Borsaliuo. Photographs from the movie are now being used to promote hats in shops...

Author: /time Magazine | Title: Promotion: You've Seen the Movie, Now Read the Ad | 10/12/1970 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Next