Word: voight
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Teresa Wright cannot be all bad. He's the only shyster in town who's willing to take a chance on young Rudy; she's his landlady who is nowhere near as ditsy as she looks. And like the rest of a constantly bestartling supporting cast, led by Jon Voight and Danny DeVito as deliciously disparate masters of legal sleaze, they're terrific. Another good rule is not to take Grisham novels as seriously as the writer does when you bring them to the screen, and Coppola fulfills that imperative too. This one is about a big insurance company trying...
Some stars age gracefully. Others use every means in their power to prolong youth by focusing on its companions: beauty and desirability. Still others fade out of sight. But JON VOIGHT has chosen a fourth route. He has embraced his outer homeliness. Voight, 58, has come a long way since he played Rolf in Broadway's original Sound of Music, or even since his Oscar-winning turn as the archetypal '70s-sensitive guy in Coming Home. In Anaconda, Heat and U-Turn, Voight has proved he can be as scrofulous and evil as the next bad guy. But it takes...
...Sergio Leone westerns). There's also a waitress named Flo. Stone swathes all this menace in his patented white-hot style: slo-mo, echoing voices, flashbacks that flick like lightning, cartoon sound effects (when the Mustang is mentioned, you'll hear a horse whinny). A streetwise Indian (Jon Voight) tells Bobby, "Your lies are old, but you tell 'em pretty good." Same with the film--a wily, parched comedy of really bad manners...
...drifts into town on horseback just as the tragedy is beginning to unfold. In essence, he's the mysterious stranger of a thousand westerns, eager to avoid conflict but miraculously adept at the killing arts when he is finally obliged to employ them. Ultimately he and John Wright (Jon Voight), the white storekeeper in the town and a reality-based character, make common, inspiring cause to rescue Rosewood's surviving women and children from the swamp where they have taken refuge from the blood-crazed posse searching for them. There is some historical truth to this passage...
Ordinarily such trespasses against truth would be enough to condemn such a movie, but Rhames' gravity and grace, Voight's pinched anguish as he wills himself to do right, the moving work of actors like Don Cheadle and Esther Rolle do much to redeem this film for human if not historical reality. Rosewood finds, in a shameful bygone moment, sources of pride for contemporary audiences. There are worse things to do with the past...