Word: voight
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...three of the four men, the trip into the wilderness is something of a lark. For Lewis (Burt Reynolds) it is a ritual and a trial. He tells his best friend Ed, played by Jon Voight: "Machines are gonna fail. The system's gonna fail. And then-survival...
...Gabin, Eric von Stroheim. Marcel Dalio. SYMPHONY CINEMA ONE. Wednesday and Thursday, 6, 8 and 10 p.m. Midnight Cowboy. John Schlesinger directed this intermittently moving but sometimes crude and gimmicky platonic Love Story between two buddy-buddy freak types on the fringes of Manhattan society. Superlatively acted by Jon Voight as a frustrated lexas stud and Dustin Hoffman as the down-on-his-luck cripple he joins forces with. Also, Carl Reiner's Where's Poppa, a tasteless but hilarious comedy of mother hate, starring George Segal and Ruth Gordon. CINEMA 733. Wednesday and Thursday. Call...
...Lehrer, Alan Jay Lerner, Shirley MacLaine, Karl Maiden, Shelly Manne, Fredric March, Walter Matthau, Elaine May, Vera Miles, Paul Newman, Jack Nicholson, Tom Poston, Janice Rule, Barbara Rush, Robert Ryan, Eva Marie Saint, Artie Shaw, Tom Smothers, Sonny & Cher, Rod Steiger, Mario Thomas, Lily Tomlin, Robert Vaughn, Jon Voight, Eli Wallach, Ruth Warrick, Dennis Weaver, Raquel Welch, Gene Wilder...
WINSOME, The Wrongway Inn is not. Although the show is a bit too long episodic, director-choreographer Voight Kempson has injected a good deal of energy and brought off some splendid dance routines. The second-act kickline ("The Don't Tread-on-Me-Blues"--composer Stephen Sondheim seem's to have been the evening's guiding light) is a harlequin-outfitted Busby Berkely spectacular which has nothing at all to do with the plot and is probably all the better for it. As proper compliment to the direction, Franco Colavecchia has done a swell job of set design--his complicated...
...enought autobiographical account of adolescence on Long Island during the first half of the sixties. Shooting in black and white, Williams was careful to set up a series of well-constructed situations as he played off his schlemiel (Barry Gordon) against the jockest imaginable forces of evil (periodically Jon Voight in his first screen appearance Voight also starred in Williams' second feature. The Revolutionary, again a presumably autobiographical account of alienation, anxiety and revolt. At once a more ambitious film, The Revolutionary seems also less sure of itself: its hero is a cypher (known only by the name...